PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaA rotund bandleader leads a series of theatrical sketches, dance numbers, special effects, and animated segments.A rotund bandleader leads a series of theatrical sketches, dance numbers, special effects, and animated segments.A rotund bandleader leads a series of theatrical sketches, dance numbers, special effects, and animated segments.
- Ganó 1 premio Óscar
- 4 premios en total
Harry Barris
- One of the Rhythm Boys
- (as The Rhythm Boys)
Bing Crosby
- One of the Rhythm Boys
- (as The Rhythm Boys)
Al Rinker
- One of the Rhythm Boys
- (as The Rhythm Boys)
Carla Laemmle
- Chorine
- (as Beth Laemmle)
Argumento
¿Sabías que...?
- CuriosidadesThe animation sequence, created by Walter Lantz, was the first Technicolor animation ever produced.
- PifiasIn the introduction to ''Ladies of the Press" Grace Hayes is listed as 'Third Reporter' and Kathryn Crawford is listed as 'Fourth Reporter'. This is the reverse of the actual case. Grace Hayes is easily recognizable as the 'Rough Wife' in "Do Things for You". She is the fourth and final reporter in the skit.
- Citas
Announcer: You don't mean to tell me that you are well-versed in the intricacies of the art of Terpsichore?
Paul Whiteman: No, but I can dance.
- Versiones alternativasRestored in 2016 with a running time of 99 minutes. This version replicates the scene continuity of the 1930 release version, including about a minute of exit music. A small amount of footage was not found and is covered by still photographs. This is the version that played at the Museum of Modern Art and Film Forum in 2016, and was released by the Criterion Collection on Blu-ray and DVD in 2018.
- ConexionesFeatured in The All Talking, All Singing, All Dancing Show (1973)
- Banda sonoraRhapsody in Blue
(uncredited)
Music by George Gershwin
Played briefly during the opening credits
Played by Paul Whiteman and Orchestra (as "The Paul Whiteman Orchestra") during the production number
Performed by Roy Bargy (piano)
Danced by Jacques Cartier with clarinet, along with the Russell Markert Girls and The Sisters G
Reseña destacada
This has an animation and in-camera tricks introduction. The main body is a big musical presenting band leader Paul Whiteman as The King of Jazz. It's an early musical a few years after the introduction of sound. It's a series of musical numbers on a big stage setting. It's a large production but there is no overarching connecting plot. The main connecting device is a giant book that is flipped to get to the next chapter. It's also in Technicolor. There are comedic interstitial scenes. As a historical document, it is absolutely fascinating. It's almost Vaudeville on film in that it's just a lot of performers performing on stage. It is a movie of a bygone era. It's also the first film with Bing Crosby. It was a bit of a failure at the time which may be due to a flood of similar musicals. It's a scattershot of lavish musical scenes without much connective tissue. By the midway point, any novelty is worn out as it all becomes more and more of the same fascinating nothingness. It has no story and it's not concentrating on any single character other than Paul Whiteman who is mostly simply a face. This may not be a great film but it is a fascinating one.
- SnoopyStyle
- 4 mar 2019
- Enlace permanente
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- How long is King of Jazz?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 2.000.000 US$ (estimación)
- Duración1 hora 39 minutos
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Principal laguna de datos
What is the Spanish language plot outline for El rey del Jazz (1930)?
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