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TU PUNTUACIÓN
Añade un argumento en tu idiomaWealthy man Bob Harrison buys all theater seats to watch Mona Leslie's musical alone. He and her agent Ned Riley love her. Rivalry between the two men over Mona Leslie creates conflict.Wealthy man Bob Harrison buys all theater seats to watch Mona Leslie's musical alone. He and her agent Ned Riley love her. Rivalry between the two men over Mona Leslie creates conflict.Wealthy man Bob Harrison buys all theater seats to watch Mona Leslie's musical alone. He and her agent Ned Riley love her. Rivalry between the two men over Mona Leslie creates conflict.
Man Mountain Dean
- Man Mountain Dean - Wrestler
- (as Man-Mountain Dean)
Leon Ames
- Ralph Watson
- (as Leon Waycoff)
Allen 'Farina' Hoskins
- Gold Dust
- (as Farina)
Argumento
¿Sabías que...?
- CuriosidadesProducer David O. Selznick based this on the Libby Holman murder scandal. Jean Harlow felt the story had disturbing similarities to suicide of her second husband, Paul Bern. She believed that she was cast in the picture in a deliberate attempt to capitalize on that event, and refused the role at first. In William Powell's autobiography, he says he convinced her to accept it rather than be suspended.
- PifiasAs Ned, Smiley, and Blossom leave a horse betting parlor with their winnings, they pass a jewelry shop's window display of wedding rings with a candle on each side. The candle on the right is tilted at a 45 degree angle. Both candles are vertical in the next shot.
- ConexionesFeatured in Érase una vez en Hollywood (1974)
- Banda sonoraReckless
(1935)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Played during the opening and closing credits
Sung by Jean Harlow (uncredited - intro part) (partially dubbed by Virginia Verrill (uncredited)) in a production number
Danced by Jean Harlow (uncredited), Rafael Alcayde (uncredited) and chorus
Sung by Nina Mae McKinney (uncredited)
Reprised by the band at Jo's Wedding with Jean Harlow (uncredited) dancing
Played as background music often
Reseña destacada
Jean Harlow was a gifted comedienne, but not noted for either her singing or her dancing. Thus, MGM cast her as Mona Leslie, a nightclub singer and dancer in 1935's "Reckless." To establish Mona's claim to fame, the rehearsal of a lavish nightclub number, which is set to Jerome Kern's "Reckless," is depicted. The gargantuan production features dozens of performers, several enormous sets, and impossible hairstyle and costume changes that defy logic. Worse, Harlow's painfully obvious lip-synching and clumsy attempts at dancing, which are inter-cut with an actual dancer's movements, only emphasis the credibility problems. Kern's lackluster song does not help either, falling flat to the ears.
If audiences expected a light comedy with music, considering the off-screen romance of the Powell-Harlow pairing, they were disappointed. Teamed with William Powell as Ned Riley, Mona's theatrical agent, and Franchot Tone as Bob Harrison, a wealthy playboy, Harlow is the apex of a romantic triangle that has tragic consequences. Although neither breaks any new ground, William Powell and May Robson come off best; Powell plays a sober repeat of his Nick Charles persona from "The Thin Man," and Robson is the tough but kindly old lady that she trademarked. Franchot Tone is competent as the smitten patrician, except during his unconvincing drunken bouts, and Harlow is out of her depth in a dramatic role. However, future stars, Rosalind Russell and Mickey Rooney, shine in small roles.
Directed by Victor Fleming, "Reckless" is a disappointment given the promise of the cast and David O. Selznick's credit for writing the story, which was based on a tabloid scandal of the period. The singing and dancing are difficult to watch and would generate giggles, if viewers were not embarrassed for Harlow's ineptness. Even fans of Harlow may want to skip this misfire and revel in one of her better films such as "Dinner at Eight," "Bombshell," or "Libeled Lady." The film reportedly lost money at the box-office, and the reasons for the red ink are evident on the screen.
If audiences expected a light comedy with music, considering the off-screen romance of the Powell-Harlow pairing, they were disappointed. Teamed with William Powell as Ned Riley, Mona's theatrical agent, and Franchot Tone as Bob Harrison, a wealthy playboy, Harlow is the apex of a romantic triangle that has tragic consequences. Although neither breaks any new ground, William Powell and May Robson come off best; Powell plays a sober repeat of his Nick Charles persona from "The Thin Man," and Robson is the tough but kindly old lady that she trademarked. Franchot Tone is competent as the smitten patrician, except during his unconvincing drunken bouts, and Harlow is out of her depth in a dramatic role. However, future stars, Rosalind Russell and Mickey Rooney, shine in small roles.
Directed by Victor Fleming, "Reckless" is a disappointment given the promise of the cast and David O. Selznick's credit for writing the story, which was based on a tabloid scandal of the period. The singing and dancing are difficult to watch and would generate giggles, if viewers were not embarrassed for Harlow's ineptness. Even fans of Harlow may want to skip this misfire and revel in one of her better films such as "Dinner at Eight," "Bombshell," or "Libeled Lady." The film reportedly lost money at the box-office, and the reasons for the red ink are evident on the screen.
- dglink
- 13 ago 2020
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- How long is Reckless?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 858.000 US$ (estimación)
- Duración1 hora 37 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was La indómita (1935) officially released in India in English?
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