PUNTUACIÓN EN IMDb
6,7/10
1,4 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.
- Premios
- 1 premio en total
Bill Elliott
- James
- (as Gordon Elliott)
André Cheron
- Max
- (as Andre Cheron)
Vesey O'Davoren
- Servant
- (escenas eliminadas)
Sam Ash
- College Club Guest Outside Bar
- (sin acreditar)
Brooks Benedict
- Waldorf Diner
- (sin acreditar)
Davison Clark
- Detective #2
- (sin acreditar)
Heinie Conklin
- Waiter at Marchand's
- (sin acreditar)
James Donlan
- First Detective
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe original play opened in New York on 2 November 1914.
- PifiasWhile drinking with John at the College Club, Geoffrey fills his glass in three successive shots without drinking the previous contents.
- Citas
Geoffrey Sherwood: Now I'm in oil.
Hugh Brown: So is a sardine.
- ConexionesReferenced in Ángeles gordos (1981)
- Banda sonoraBridal Chorus
(uncredited)
from "Lohengrin"
Music by Richard Wagner (1850)
Played on an organ before the wedding
Reseña destacada
Strictly for die-hard Davis fans.
She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.
It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.
Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.
TCM is showing this as part of their Depression-era films.
She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.
It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.
Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.
TCM is showing this as part of their Depression-era films.
- Doylenf
- 7 oct 2009
- Enlace permanente
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Detalles
- Duración1 hora 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was La chica de la Décima Avenida (1935) officially released in Canada in English?
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