PUNTUACIÓN EN IMDb
6,3/10
537
TU PUNTUACIÓN
Añade un argumento en tu idiomaTwo telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.
Selmer Jackson
- Joe - Gangster
- (as Selmar Jackson)
Margaret Armstrong
- Seance Participant
- (sin acreditar)
Joseph E. Bernard
- Headwaiter
- (sin acreditar)
Clay Clement
- Mr. Stephenso - -Hotel Manager
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe ending, with Joan Blondell in bed, was filmed in her home. She was recovering from an emergency appendectomy and her doctor would not let her travel to the studio.
- PifiasWhen Loretta and Turk join Marie on her table, there are customers dining in the background. On the following cut, the customers change.
- Citas
Marie Lawson: [to Terry, who's aggressively flirting with her] I had a kid brother like you once, but we found out he was an idiot so we drowned him.
- ConexionesFeatured in American Masters: Warner Bros.: Una Historia Para El Recuerdo (2008)
Reseña destacada
A harried switchboard operator & a ditzy medium get involved with a couple of brash telephone repairmen & a dangerous gang of thieves...
I'VE GOT YOUR NUMBER was the sort of ephemeral comic frippery which the Hollywood studios produced almost without effort during the 1930's. Well made & highly enjoyable, Depression audiences couldn't seem to get enough of these popular, funny photo dramas.
Joan Blondell & Glenda Farrell are perfectly cast as the fast -talking female leads. Although Joan gets both top billing and the romantic scenes, - and they share no screen time together in this early pairing - both gals are as talented & watchable as they are gorgeous.
Pat O'Brien, obnoxiously cocky & self assured, appears as Blondell's persistent suitor. Whether tapping wires or tackling crooks, he is equally jaunty. Behind him comes a small parade of character actors - Allen Jenkins, Eugene Pallette, Henry O'Neill, Hobart Cavanaugh, Louise Beavers - all equally adept at delighting an audience.
Much of the dialogue & plot development indicates this film made it just under the wire before the imposition of the Production Code.
While never stars of the first rank, Joan Blondell (1906-1979) & Glenda Farrell (1904-1971) enlivened scores of films at Warner Bros. throughout the 1930's, especially the eight in which they appeared together. Whether playing gold diggers or working girls, reporters or secretaries, these blonde & brassy ladies were very nearly always a match for whatever leading man was lucky enough to share equal billing alongside them. With a wisecrack or a glance, their characters showed they were ready to take on the world - and any man in it. Never as wickedly brazen as Paramount's Mae West, you always had the feeling that, tough as they were, Blondell & Farrell used their toughness to defend vulnerable hearts ready to break over the right guy. While many performances from seven decades ago can look campy or contrived today, these two lovely ladies are still spirited & sassy.
I'VE GOT YOUR NUMBER was the sort of ephemeral comic frippery which the Hollywood studios produced almost without effort during the 1930's. Well made & highly enjoyable, Depression audiences couldn't seem to get enough of these popular, funny photo dramas.
Joan Blondell & Glenda Farrell are perfectly cast as the fast -talking female leads. Although Joan gets both top billing and the romantic scenes, - and they share no screen time together in this early pairing - both gals are as talented & watchable as they are gorgeous.
Pat O'Brien, obnoxiously cocky & self assured, appears as Blondell's persistent suitor. Whether tapping wires or tackling crooks, he is equally jaunty. Behind him comes a small parade of character actors - Allen Jenkins, Eugene Pallette, Henry O'Neill, Hobart Cavanaugh, Louise Beavers - all equally adept at delighting an audience.
Much of the dialogue & plot development indicates this film made it just under the wire before the imposition of the Production Code.
While never stars of the first rank, Joan Blondell (1906-1979) & Glenda Farrell (1904-1971) enlivened scores of films at Warner Bros. throughout the 1930's, especially the eight in which they appeared together. Whether playing gold diggers or working girls, reporters or secretaries, these blonde & brassy ladies were very nearly always a match for whatever leading man was lucky enough to share equal billing alongside them. With a wisecrack or a glance, their characters showed they were ready to take on the world - and any man in it. Never as wickedly brazen as Paramount's Mae West, you always had the feeling that, tough as they were, Blondell & Farrell used their toughness to defend vulnerable hearts ready to break over the right guy. While many performances from seven decades ago can look campy or contrived today, these two lovely ladies are still spirited & sassy.
- Ron Oliver
- 28 may 2001
- Enlace permanente
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- How long is I've Got Your Number?Con tecnología de Alexa
Detalles
- Duración1 hora 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Ya sé tu número (1934) officially released in India in English?
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