Rabbia furiosa

2018
2h

PUNTUACIÓN EN IMDb

5,6/10

226

TU PUNTUACIÓN

Is the story of Fabio, a small-time neighborhood crook, known as "Er Canaro" (the Dog Man) who suffers years of abuse and mistreatment from Claudio, a local boss of the criminal underworld. When he is driven to desperation and the brink of madness, he will carry out a terrible and bloody act of vengeance.

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21 imágenes

True Crime Crime Horror Thriller

Añade un argumento en tu idiomaFabio, a small-time neighborhood crook, suffers years of mistreatment from Claudio, a local boss of the criminal underworld. When he is driven to desperation and the brink of madness, he car... Leer todoFabio, a small-time neighborhood crook, suffers years of mistreatment from Claudio, a local boss of the criminal underworld. When he is driven to desperation and the brink of madness, he carries out a terrible and bloody act of vengeance.Fabio, a small-time neighborhood crook, suffers years of mistreatment from Claudio, a local boss of the criminal underworld. When he is driven to desperation and the brink of madness, he carries out a terrible and bloody act of vengeance.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

5,6/10

226

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Curiosidades
Pictures of Dario Argento, Lamberto Bava, Tom Savini, Luigi Cozzi and Michele Soavi are visible on a notice board Inside a Police office. Sergio Stivaletti worked with all of them (except Savini)

Conexiones
Featured in Tutto il resto: Quel film che racconta la storia del "Canaro della Magliana" (2021)

Reseñas de usuarios2

Comentarios

Reseña destacada

7/10

Interesting little revenge flick with some old school gore.

It's an interesting little revenge flick that gets pretty brutal, and features a mesmerising performance by Riccardo De Filippis, who nails the transition from meek and mild to all out psycho.

The film could be better. There's some questionable shots and dialogue, and it feels low budget overall. And the gore is a bit shlocky which kills the reality somewhat, but at the same time it took me back to the early Savini days which I did appreciate.

But the best part, for me, was the score by Maurizio Abeni, which was outstanding... featuring a memorable melodic primary theme that's twisted in wonderful ways, and some great underscore that stands out like it should.