PUNTUACIÓN EN IMDb
6,5/10
46 mil
TU PUNTUACIÓN
Una mujer despierta en una cámara criogénica sin recuerdo alguno de cómo llegó hasta allí y debe encontrar una salida antes de quedarse sin aire.Una mujer despierta en una cámara criogénica sin recuerdo alguno de cómo llegó hasta allí y debe encontrar una salida antes de quedarse sin aire.Una mujer despierta en una cámara criogénica sin recuerdo alguno de cómo llegó hasta allí y debe encontrar una salida antes de quedarse sin aire.
- Premios
- 1 nominación en total
Annie Balestra
- Femme âgée
- (voz)
- (as Anie Balestra)
Marc Saez
- Inspecteur
- (voz)
Argumento
¿Sabías que...?
- CuriosidadesAnne Hathaway was originally attached to the project. She later dropped out and was replaced by Noomi Rapace. After the project was put into turnaround, Mélanie Laurent was cast in the lead role when Alexandre Aja came on board.
- PifiasThe brief moment of zero gravity implies that rotation for the single capsule can be stopped. However, a subsequent view indicated that the entire structure rotates, making it implausible that a single capsule could achieve zero gravity.
- Citas
Elizabeth 'Liz' Hansen: I may be genetically designed to love you, but, in fact, I don't know you.
- ConexionesFeatured in WhatCulture Originals: 20 Best Movies Of 2021 (So Far) (2021)
Reseña destacada
Making a name for himself in the horror field with the likes of High Tension, The Hills Have Eyes, Piranha 3D and Crawl, French director Alexandre Aja takes a different route with his newest outing Oxygen, with this Netflix acquired claustrophobic thriller a more dialed back affair for the boundary pushing director who even showcases a much softer side to himself than his shown previously.
Taking the Buried/Devil approach to proceedings as we spend Oxygen's 100 minute runtime confined to a life supporting medical pod with Melanie Laurent's Liz, who has awoken with no memories of who she is or how she came to be stuck in the pod with a quickly dwindling supply of air, Aja's well-filmed ride may not always be the pulse-pounding thriller it wants to be but thanks to some inventive directing and a committed leading lady, this sweat inducing ride will keep you engaged throughout.
Starting off relatively slowly, with us and Liz trying to figure things out and wondering why we should care for her plight to survive with nothing more than an A. I computer known as MILO to help her, Oxygen does start to ramp things up around the half way mark with more knowledge about what is going on and how Liz came to be found in such a predicament helping the film out in a big way as we all of a sudden start to ride every bump and fall with Liz as her oxygen dwindles and her quest to survive feels more pressing with every passing second.
With strong visuals (and a scene that will go down as one of the years best as we catch a glimpse of Liz's external surrounds), a great score by Robin Coudert and some neat little horror throwbacks from its director, Oxygen feels like a polished and professional offering and a level above other similar Netflix released offerings, ensuring that its high concept idea is bought to life in a strong and satisfying way.
It's not too say the film is able to reach the highs of some of its other similar counterparts, there are numerous moments where the film feels bogged down by repetitive situations and stretches of unengaging scenarios but despite not being able to reach grand heights, Oxygen is a thriller worth checking out and a nice example of Alexandre Aja trying his hand at something a little different from his usual staple.
Final Say -
Ramping up in its latter stages and featuring a great central turn from its leading lady, Oxygen is a solid thriller that might not grip you through its entirety but has enough solid moments to make it worth your time.
3 lab rats out of 5.
Taking the Buried/Devil approach to proceedings as we spend Oxygen's 100 minute runtime confined to a life supporting medical pod with Melanie Laurent's Liz, who has awoken with no memories of who she is or how she came to be stuck in the pod with a quickly dwindling supply of air, Aja's well-filmed ride may not always be the pulse-pounding thriller it wants to be but thanks to some inventive directing and a committed leading lady, this sweat inducing ride will keep you engaged throughout.
Starting off relatively slowly, with us and Liz trying to figure things out and wondering why we should care for her plight to survive with nothing more than an A. I computer known as MILO to help her, Oxygen does start to ramp things up around the half way mark with more knowledge about what is going on and how Liz came to be found in such a predicament helping the film out in a big way as we all of a sudden start to ride every bump and fall with Liz as her oxygen dwindles and her quest to survive feels more pressing with every passing second.
With strong visuals (and a scene that will go down as one of the years best as we catch a glimpse of Liz's external surrounds), a great score by Robin Coudert and some neat little horror throwbacks from its director, Oxygen feels like a polished and professional offering and a level above other similar Netflix released offerings, ensuring that its high concept idea is bought to life in a strong and satisfying way.
It's not too say the film is able to reach the highs of some of its other similar counterparts, there are numerous moments where the film feels bogged down by repetitive situations and stretches of unengaging scenarios but despite not being able to reach grand heights, Oxygen is a thriller worth checking out and a nice example of Alexandre Aja trying his hand at something a little different from his usual staple.
Final Say -
Ramping up in its latter stages and featuring a great central turn from its leading lady, Oxygen is a solid thriller that might not grip you through its entirety but has enough solid moments to make it worth your time.
3 lab rats out of 5.
- eddie_baggins
- 10 jun 2021
- Enlace permanente
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- How long is Oxygen?Con tecnología de Alexa
Detalles
- Duración1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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