Ouija: El origen del mal

Título original: Ouija: Origin of Evil

2016
16
1h 39min

PUNTUACIÓN EN IMDb

6,2/10

78 mil

TU PUNTUACIÓN

POPULARIDAD

4045

1314

Lulu Wilson in Ouija: El origen del mal (2016)

In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.

Reproducir trailer2:36

34 vídeos

99+ imágenes

Drama Horror Mystery Thriller

En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

6,2/10

78 mil

TU PUNTUACIÓN

POPULARIDAD

4045

1314

Ver la información de la producción en IMDbPro

Premios
- 2 premios y 7 nominaciones en total

Vídeos34

Trailer 2:34

Official Trailer

Clip 0:49

How Doris Talks To Daddy

Clip 0:50

Take Her Voice Instead

Clip 1:02

Father Tom Explains His Theory

Clip 1:30

What Its Like To Be Strangled

Imágenes107

+ 102

Más del estilo

4,5

Ouija

6,5

Oculus: El espejo del mal

6,2

Somnia: Dentro de tus sueños

6,3

Nunca apagues la luz

6,6

Insidious (capítulo 2)

6,5

Annabelle: Creation

6,2

Mamá

6,1

Insidious (capítulo 3)

6,6

6,0

5,5

6,8

Argumento

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Curiosidades
The film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.

Pifias
In order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.

Citas
Doris Zander: Wanna hear something cool?
Mikey: Sure.
Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.
[Mikey looks confused and horrified]
Doris Zander: [smiles] Goodnight, Romeo.

Créditos adicionales
There is a post-credits scene with Lin Shaye.

Conexiones
Featured in FoundFlix: Ouija 2: Origin of Evil (2016) Ending Explained + Connections to the First Film (2016)

Banda sonora
You Gotta Move Me
Written by Dennis Michael Lacey
Performed by Mike Lacey
Courtesy of Crucial Music Corporation

Reseñas de usuarios285

Comentarios

Reseña destacada

7/10

shockingly pretty good

It's 1967 Los Angeles. Alice Zander (Elizabeth Reaser) runs a crooked spiritual reading business out of her home. She uses her daughters Lina (Annalise Basso) and younger Doris (Lulu Wilson) in operating her scams. They incorporate an Ouija board into their production. While trying to contact the girls' dead father, Doris seems to make real contact. Father Tom (Henry Thomas) is the headmaster of the girls' school. Mikey (Parker Mack) has a crush on Lina.

Surprise! This is actually good. It is well-made. The characters are well-drawn and well-acted. I wouldn't say that this is breaking down any new walls but there is good in doing good work. I do have a couple of small nitpicks. For some reason, Alice and Father Tom go out for what looks like a fancy dinner. It almost looks like a date if it weren't for the characters. Second, I would keep the possibility that Doris is scamming everyone until further into the movie. It would be nice to have Father Tom uncover the whole situation as a reveal. The good are the actors, the mood, the simple premise, and good construction. It's a shocker that this is all pretty good.