A la espera de salir con una gran fortuna, tres ladrones fuerzan la entrada a la casa de un hombre ciego que no está tan desprovisto como pensaban.A la espera de salir con una gran fortuna, tres ladrones fuerzan la entrada a la casa de un hombre ciego que no está tan desprovisto como pensaban.A la espera de salir con una gran fortuna, tres ladrones fuerzan la entrada a la casa de un hombre ciego que no está tan desprovisto como pensaban.
- Premios
- 7 premios y 21 nominaciones en total
Jimmie Chiappelli
- Coroner
- (sin acreditar)
Jane May Graves
- Cindy Roberts
- (sin acreditar)
Michael Haase
- Detroit Police Officer
- (sin acreditar)
Brak Little
- Neighborhood Man
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesStephen Lang wore contact lenses that greatly restricted his vision, particularly in low light. The other actors, in the scene taking place in the dark, wore lenses that made them look like they had dilated pupils but also greatly restricted their vision.
- PifiasWhile inside the car, Rocky's pants do not show any hole or slit after it had been cut open by The Blind Man earlier.
- Citas
The Blind Man: There is nothing a man cannot do once he accepts the fact that there is no God.
- Créditos adicionalesAt the end of the credits there is a dedication in Spanish: "For our friend Pablito Blois 1980-2015"
- ConexionesFeatured in Hollywood Express: Episodio #14.34 (2016)
Reseña destacada
Fede Alvarez just gave Green Room a run for its money with Don't Breathe, an incredibly intense film and glorious exercise in suspense. It's one of the best studio-produced thrillers I've seen in years. The premise is simple: A group of teens plans to break into a blind man's house to steal his money. Only thing, the old man is more adept than they realize. While the setup is a little too pedestrian, albeit economical, once the story gets rolling, the film doesn't let up, running at a lean 88 minutes. Other than that, Don't Breathe is best viewed going in knowing as little as possible.
This is Alvarez's first film in three years since his violent and solid remake of Evil Dead, and it is with this sophomoric debut that solidifies the genre filmmaker as someone with obvious talent. Inspirations are drawn from the best - Hitchcock, Fincher, and Wait Until Dark are a few - but Alvarez provides his own unique vision that truly makes the film his own. Like the masters before him, Don't Breathe is purely cinematic, relying less on dialogue and more on visual storytelling and sound to drive the film. The cinematography is amazing as well as the creative sound design, so much so they are characters within the film themselves.
The cast, while small, is great too, including Jane Levy, who can pretty much be titled this generation's scream queen after this and Evil Dead. Dylan Minnette is good in his role as well, providing enough sympathy for his character. Both young actors are put through hell, and their physical performances sell their tumultuous ordeal convincingly. However, it is Stephen Lang who is the film's shining beacon. As the antagonist, Lang is instantly memorable and frightening, an intimidating force that permeates throughout the film even in scenes without his presence.
If there's one gripe about the film, there's a plot twist that doesn't quite work, but that itself is a minor complaint compared to the many things the film gets right and does so well. I won't say more. Don't Breathe is a technical achievement, the rare studio film that actually pushes what film can do as a medium. However, like with Green Room, try not to get caught up in the hype, even with my glowing review. Set your expectations appropriately, and remember to avoid watching the trailer.
This is Alvarez's first film in three years since his violent and solid remake of Evil Dead, and it is with this sophomoric debut that solidifies the genre filmmaker as someone with obvious talent. Inspirations are drawn from the best - Hitchcock, Fincher, and Wait Until Dark are a few - but Alvarez provides his own unique vision that truly makes the film his own. Like the masters before him, Don't Breathe is purely cinematic, relying less on dialogue and more on visual storytelling and sound to drive the film. The cinematography is amazing as well as the creative sound design, so much so they are characters within the film themselves.
The cast, while small, is great too, including Jane Levy, who can pretty much be titled this generation's scream queen after this and Evil Dead. Dylan Minnette is good in his role as well, providing enough sympathy for his character. Both young actors are put through hell, and their physical performances sell their tumultuous ordeal convincingly. However, it is Stephen Lang who is the film's shining beacon. As the antagonist, Lang is instantly memorable and frightening, an intimidating force that permeates throughout the film even in scenes without his presence.
If there's one gripe about the film, there's a plot twist that doesn't quite work, but that itself is a minor complaint compared to the many things the film gets right and does so well. I won't say more. Don't Breathe is a technical achievement, the rare studio film that actually pushes what film can do as a medium. However, like with Green Room, try not to get caught up in the hype, even with my glowing review. Set your expectations appropriately, and remember to avoid watching the trailer.
- moviewizguy
- 16 mar 2016
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Don't Breathe
- Localizaciones del rodaje
- Stern Film Studio, Pomáz, Hungría(interiors of The Blind Man's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 9.900.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 89.217.875 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 26.411.706 US$
- 28 ago 2016
- Recaudación en todo el mundo
- 157.761.002 US$
- Duración1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.40 : 1
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