IMDb-BEWERTUNG
7,3/10
14.252
IHRE BEWERTUNG
Eine Geschichte, die die Verschwörung wichtiger deutscher Institutionen und Regierungsstellen, die Verbrechen der Nazis während des Zweiten Weltkriegs zu vertuschen, aufdeckt.Eine Geschichte, die die Verschwörung wichtiger deutscher Institutionen und Regierungsstellen, die Verbrechen der Nazis während des Zweiten Weltkriegs zu vertuschen, aufdeckt.Eine Geschichte, die die Verschwörung wichtiger deutscher Institutionen und Regierungsstellen, die Verbrechen der Nazis während des Zweiten Weltkriegs zu vertuschen, aufdeckt.
- Auszeichnungen
- 6 Gewinne & 18 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesBased on the life of Frankfurt's attorney general Fritz Bauer and three of his prosecutors. They all were instrumental for the holding of the important 'Auschwitz trials' in 1963.
- Patzer(at around 1h 45 mins) The Mourner's Kaddish, the Jewish prayer for the dead, is recited in the film using the modern Israeli Hebrew pronunciation. The version of the Kaddish that Kirsch would have known (and that his prayerbook would've contained) would have used the older Ashkenazic pronunciation used by German and Eastern European Jews. Instead of saying, "Yitgadal v' yitkadash," as they do in the film, they they should be saying, "Yisgadal v'yiskadash."
- Zitate
Major Parker: You were all Nazis. In the Eastern sector, now you are all communists. Jesus, you Germans! If little green men from Mars landed tomorrow, you would all become green.
- VerbindungenReferences Das Lied der Straße (1954)
- SoundtracksTipitipitipso
Performed by Caterina Valente
Music by Heinz Gietz
Lyrics by Kurt Feltz
Courtesy of Edition Rialto Hans Gerig KG, Bergisch Gladbach
(P) 1957 - Courtesy of Electrola, a division of Universal Music GmbH
Ausgewählte Rezension
Nowadays, the word Auschwitz has become a synonym for the worst kind of human evil. But there was a time when, at least in Germany, nobody knew the word, let alone what happened there. In the years after the war, German society wanted to forget everything about this terrible period, including the atrocities committed.
'Im Labyrinth des Schweigens' (In the Labyrinth of Silence) shows how this period came to an end. A journalist presses charges against a former Auschwitz camp commander, who is now a school teacher. A prosecutor starts an investigation, but his efforts are obstructed by all kinds of procedures. It is clear that most Germans don't want to be confronted with the mass murders committed by their fellow compatriots. In one scene, the prosecutor asks his young colleagues what the word Auschwitz means to them. None of them come up with an answer.
The film clearly shows how complex the past was for post-war Germany. Lots of people had been a member of the National Socialist Party, without being a nazi by conviction. Some became a nazi because it was convenient to be part of the ruling power-base. The prosecutor learns that even some people who are very close to him, were on the wrong side of history. Still, he is convinced that the men who committed war crimes should be punished.
This is an interesting story about an unknown period in the German history. Unfortunately, the film maker decided to include a cheesy love story in the script. The prosecutor's love affair is distracting, unnecessary and predictable. Towards the end, there are too many side stories and subplots, and the film starts dragging on. At the same time, there are some very nice creative scenes. I particularly liked the scene without words, when the prosecutor starts interviewing the witnesses from the concentration camps. Small gestures and facial expressions show, better than any dialogue, the horror these people must have gone through.
'Im Labyrinth des Schweigens' (In the Labyrinth of Silence) shows how this period came to an end. A journalist presses charges against a former Auschwitz camp commander, who is now a school teacher. A prosecutor starts an investigation, but his efforts are obstructed by all kinds of procedures. It is clear that most Germans don't want to be confronted with the mass murders committed by their fellow compatriots. In one scene, the prosecutor asks his young colleagues what the word Auschwitz means to them. None of them come up with an answer.
The film clearly shows how complex the past was for post-war Germany. Lots of people had been a member of the National Socialist Party, without being a nazi by conviction. Some became a nazi because it was convenient to be part of the ruling power-base. The prosecutor learns that even some people who are very close to him, were on the wrong side of history. Still, he is convinced that the men who committed war crimes should be punished.
This is an interesting story about an unknown period in the German history. Unfortunately, the film maker decided to include a cheesy love story in the script. The prosecutor's love affair is distracting, unnecessary and predictable. Towards the end, there are too many side stories and subplots, and the film starts dragging on. At the same time, there are some very nice creative scenes. I particularly liked the scene without words, when the prosecutor starts interviewing the witnesses from the concentration camps. Small gestures and facial expressions show, better than any dialogue, the horror these people must have gone through.
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- Erscheinungsdatum
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- Labyrinth of Lies
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Box Office
- Bruttoertrag in den USA und Kanada
- 794.452 $
- Eröffnungswochenende in den USA und in Kanada
- 22.101 $
- 4. Okt. 2015
- Weltweiter Bruttoertrag
- 4.574.756 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Im Labyrinth des Schweigens (2014) officially released in India in English?
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