Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.Eine geschiedene Frau wird in die Suche nach einer vermissten Frau verwickelt und muss einige, sie nachhaltig schockierende Erfahrungen machen.
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 13 Nominierungen insgesamt
Edgar Ramírez
- Dr. Kamal Abdic
- (as Édgar Ramírez)
Cleta Elaine Ellington
- Oyster Bar Woman
- (as Cleta E. Ellington)
Handlung
WUSSTEST DU SCHON:
- WissenswertesEmily Blunt would wear bloodshot contact lenses for the scenes in which she's heavily inebriated. She also wore prosthetics on her cheeks to make them look slightly plumper.
- PatzerWhen Rachel and the woman she is chatting to in the bar say "F**k you, Anna Boyd" into Rachel's smartphone camera they say it at the same time, but when Rachel plays it back later their voices are not in harmony.
- VerbindungenFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
Ausgewählte Rezension
This is an excellent mystery/thriller that had me 'grasping at straws' for a solid hour or so, trying to figure out who was 'good' and who was 'bad.' And...it's punctuated with a "killer ending!" (Yes, pun intended ~)
Plot in a nutshell: An alcoholic loner subject to blackouts (Emily Blunt) immerses herself in a missing-persons case in which she becomes a prime suspect.
(First let me state I have not read the novel on which this film is based. So my review and impressions are formed solely from watching the movie, where they should be. It seems most of the negative reviews here are from people who read the novel, then apparently watched this film with a notepad in hand, already knowing the story and the outcome but eagerly marking down every area that doesn't match the book, and then coming here to write negative reviews to vent about it. No offense to them (or you, if you are one of them), but the point here is to review the FILM - not to compare and contrast the film to the novel (or to anything else, for that matter). If you want to write a review of the book, go to Goodreads.com and write it there! This site is for the film, and it's what I want to know about. All of these reviews on here telling me about the book, and then giving a poor rating because the film isn't exactly like the book, are irrelevant and out of place. Let's talk about the FILM....)
And yes, it's a very good one. Emily Blunt does such a masterful job of playing an alcoholic social outcast, I agree with some others on here wondering why she wasn't even nominated for an Academy Award. It's that good. She plays one of three women around whom the story largely revolves (Rebecca Ferguson and Haley Bennett are the others). These three are all loosely connected in various ways that are not obvious at first but, through flashbacks and story shifts, we are gradually shown how they tie together. One of the three goes missing and the plot then shifts to solving that mystery.
Saying much more than this will ruin the story so I'll draw the line there. But I will say I found this to be highly entertaining and was constantly shifting my opinion as to who was the guilty one. At one point I guessed right (as it turned out) but I changed my opinion based on what was happening, only to find out I had been right 20 minutes ago! But that's the beauty of this film - just when you think you've got it figured out, you are given a new shred of information that makes you question everything you'd accepted before. That's good story-telling and worthy of acclaim. It's not a stretch to say "The Girl on the Train" comes from the same mold as the Agatha Christie and Alfred Hitchcock classics. If you like those, you'll probably like this too.
8/10. Effective and intriguing mystery that deserves a much higher rating than it's current 6.5 here. Would I watch again (Y/N)?: Yes.
Plot in a nutshell: An alcoholic loner subject to blackouts (Emily Blunt) immerses herself in a missing-persons case in which she becomes a prime suspect.
(First let me state I have not read the novel on which this film is based. So my review and impressions are formed solely from watching the movie, where they should be. It seems most of the negative reviews here are from people who read the novel, then apparently watched this film with a notepad in hand, already knowing the story and the outcome but eagerly marking down every area that doesn't match the book, and then coming here to write negative reviews to vent about it. No offense to them (or you, if you are one of them), but the point here is to review the FILM - not to compare and contrast the film to the novel (or to anything else, for that matter). If you want to write a review of the book, go to Goodreads.com and write it there! This site is for the film, and it's what I want to know about. All of these reviews on here telling me about the book, and then giving a poor rating because the film isn't exactly like the book, are irrelevant and out of place. Let's talk about the FILM....)
And yes, it's a very good one. Emily Blunt does such a masterful job of playing an alcoholic social outcast, I agree with some others on here wondering why she wasn't even nominated for an Academy Award. It's that good. She plays one of three women around whom the story largely revolves (Rebecca Ferguson and Haley Bennett are the others). These three are all loosely connected in various ways that are not obvious at first but, through flashbacks and story shifts, we are gradually shown how they tie together. One of the three goes missing and the plot then shifts to solving that mystery.
Saying much more than this will ruin the story so I'll draw the line there. But I will say I found this to be highly entertaining and was constantly shifting my opinion as to who was the guilty one. At one point I guessed right (as it turned out) but I changed my opinion based on what was happening, only to find out I had been right 20 minutes ago! But that's the beauty of this film - just when you think you've got it figured out, you are given a new shred of information that makes you question everything you'd accepted before. That's good story-telling and worthy of acclaim. It's not a stretch to say "The Girl on the Train" comes from the same mold as the Agatha Christie and Alfred Hitchcock classics. If you like those, you'll probably like this too.
8/10. Effective and intriguing mystery that deserves a much higher rating than it's current 6.5 here. Would I watch again (Y/N)?: Yes.
- Better_Sith_Than_Sorry
- 30. Juni 2018
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- La chica del tren
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 75.395.035 $
- Eröffnungswochenende in den USA und in Kanada
- 24.536.265 $
- 9. Okt. 2016
- Weltweiter Bruttoertrag
- 173.185.859 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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