Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).
- Für 1 Oscar nominiert
- 32 Gewinne & 84 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesGreg Sestero stated that when he was writing the book, Tommy Wiseau said that only two actors could play him in the adaptation: James Franco or Johnny Depp. Wiseau, who claims to have once lived in New Orleans, was a fan of Franco's performance in the film Sonny (2002).
- PatzerAt the end of the film, text states that to this day nobody knows how old Wiseau is, where he is from or how he made so much money. In actuality, his naturalization records can be found online that show he was born in Poland on October 3, 1955 and became a naturalized U.S. citizen in 1984 in San Francisco. According to Sestero, he moved to France before immigrating to the United States and changing his name to Thomas Pierre Wiseau (likely from Tomasz Piotr Wieczorkiewicz or Wieczór). Furthermore, a documentary filmmaker discovered he was born in Poznan, Poland. However, it remains a mystery as Wiseau will not confirm these details, and how he became so wealthy is still not known.
- Zitate
[from trailer]
Sandy Schklair: Action!
[Wiseau enters the scene]
Tommy Wiseau: I did not hit her. It's not true. It's bullshit! I did not hit her. I did not.
[throws water bottle on the ground]
Tommy Wiseau: Oh, hi Mark.
[pause, then the crew applauds before Greg hugs Wiseau]
- Crazy CreditsWhile Corona's song "Rhythm Of The Night" plays over the credits, you can hear Tommy(Franco) singing along to the song.
- SoundtracksIt Won't Be Me
Written by Jennifer Bone, Andrew Gonzales & Francine Reed
Performed by Francine Reed
Courtesy of Fervor Records
Ausgewählte Rezension
So yeah, The Room is pretty well-known by now, becoming just about the most popular 'so bad it's good' film of all time over the last six or seven years, as has the story behind it- as detailed in Greg Sestero's book, The Disaster Artist.
So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.
First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).
Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.
Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.
As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.
So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.
And deserved (in my opinion).
This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.
If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.
So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.
First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).
Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.
Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.
As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.
So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.
And deserved (in my opinion).
This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.
If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.
- Jeremy_Urquhart
- 19. Nov. 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Disaster Artist. Obra maestra
- Drehorte
- Majestic Crest Theater - 1262 Westwood Blvd., Westwood, Los Angeles, Kalifornien, USA("The Room" premiere exterior/interior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.120.616 $
- Eröffnungswochenende in den USA und in Kanada
- 1.211.345 $
- 3. Dez. 2017
- Weltweiter Bruttoertrag
- 29.820.616 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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