Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).Ein Blick hinter die Kulissen der Dreharbeiten von Tommy Wiseaus "Room" (2003).
- Für 1 Oscar nominiert
- 32 Gewinne & 84 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesGreg Sestero stated that when he was writing the book, Tommy Wiseau said that only two actors could play him in the adaptation: James Franco or Johnny Depp. Wiseau, who claims to have once lived in New Orleans, was a fan of Franco's performance in the film Sonny (2002).
- PatzerAt the end of the film, text states that to this day nobody knows how old Wiseau is, where he is from or how he made so much money. In actuality, his naturalization records can be found online that show he was born in Poland on October 3, 1955 and became a naturalized U.S. citizen in 1984 in San Francisco. According to Sestero, he moved to France before immigrating to the United States and changing his name to Thomas Pierre Wiseau (likely from Tomasz Piotr Wieczorkiewicz or Wieczór). Furthermore, a documentary filmmaker discovered he was born in Poznan, Poland. However, it remains a mystery as Wiseau will not confirm these details, and how he became so wealthy is still not known.
- Zitate
[from trailer]
Sandy Schklair: Action!
[Wiseau enters the scene]
Tommy Wiseau: I did not hit her. It's not true. It's bullshit! I did not hit her. I did not.
[throws water bottle on the ground]
Tommy Wiseau: Oh, hi Mark.
[pause, then the crew applauds before Greg hugs Wiseau]
- Crazy CreditsWhile Corona's song "Rhythm Of The Night" plays over the credits, you can hear Tommy(Franco) singing along to the song.
- SoundtracksIt Won't Be Me
Written by Jennifer Bone, Andrew Gonzales & Francine Reed
Performed by Francine Reed
Courtesy of Fervor Records
Ausgewählte Rezension
'The Disaster Artist' has garnered comparisons with Tim Burton's 'Ed Wood'. Not surprisingly, both detailing of incompetent directors making infamously terrible films with big dreams and with their hearts in the right place.
In 'The Disaster Artist's' case, it looks at the life of Tommy Wiseau and the making of one of the worst films ever made 'The Room'. Some consider 'The Room' a cult classic while acknowledging that it isn't a good film but to me and others it's just inept film-making even when taking it for what it is. Like 'Ed Wood', a masterpiece and the better film, 'The Disaster Artist' is an infinitely better film than that that is the film's subject, actually being good. If you love 'The Room', you'll love 'The Disaster Artist' and how the film is treated affectionately rather than trashed. Even those who hate 'The Room', like me, are likely to find a lot to enjoy.
Not without its flaws certainly. Personally could have done without the concluding side by side comparisons, which didn't serve much point and on their own they were not as funny or clever as they could have been.
More pointless are some of the cameos, which were distracting and leaned towards the smug.
However, 'The Disaster Artist' is a triumph when it comes to the script and the storytelling. The script is witty and clever, with a lot of the frequent humorous moments and lines being hysterical. None of it is less than very amusing. Just as much a treat are the re-enacting scenes, which are far funnier than the actual product itself. Yet it's not just about the humour, there is also an immense likeability, pathos, heart and honesty.
Really loved the story execution. Tommy's hopes and struggles are relevant and relatable and his confidence and perseverance inspiring. The treatment of the subject matter is affectionate and also eccentric like Wiseau himself, something that one doesn't expect when they have knowledge of Wiseau and 'The Room'. One would think that the film would poke fun and trash them, but actually they're treated in a respectful and candid fashion, this definitely felt like a celebration. Especially well done is the central budding friendship, which was handled with warmth and sincerity and was truly heartfelt to watch.
Visually, 'The Disaster Artist' is certainly a more competent film while having some purposefully inept moments when re-enacting. The music is effective and fitting if not memorable or striking enough to get any rooting for awards. James Franco shows great confidence as a director and also gives a performance of a lifetime that shows him having the time of his life. It is easy to overlook his brother Dave, but he is not deserving of being because he gives every bit as good a performance while being more subtle. Seth Rogan is a riot and makes the most impression of the supporting cast.
Overall, very good and nearly great film, not disastrous in the slightest, misstepping only at the end and with some of the cameos. 8/10 Bethany Cox
In 'The Disaster Artist's' case, it looks at the life of Tommy Wiseau and the making of one of the worst films ever made 'The Room'. Some consider 'The Room' a cult classic while acknowledging that it isn't a good film but to me and others it's just inept film-making even when taking it for what it is. Like 'Ed Wood', a masterpiece and the better film, 'The Disaster Artist' is an infinitely better film than that that is the film's subject, actually being good. If you love 'The Room', you'll love 'The Disaster Artist' and how the film is treated affectionately rather than trashed. Even those who hate 'The Room', like me, are likely to find a lot to enjoy.
Not without its flaws certainly. Personally could have done without the concluding side by side comparisons, which didn't serve much point and on their own they were not as funny or clever as they could have been.
More pointless are some of the cameos, which were distracting and leaned towards the smug.
However, 'The Disaster Artist' is a triumph when it comes to the script and the storytelling. The script is witty and clever, with a lot of the frequent humorous moments and lines being hysterical. None of it is less than very amusing. Just as much a treat are the re-enacting scenes, which are far funnier than the actual product itself. Yet it's not just about the humour, there is also an immense likeability, pathos, heart and honesty.
Really loved the story execution. Tommy's hopes and struggles are relevant and relatable and his confidence and perseverance inspiring. The treatment of the subject matter is affectionate and also eccentric like Wiseau himself, something that one doesn't expect when they have knowledge of Wiseau and 'The Room'. One would think that the film would poke fun and trash them, but actually they're treated in a respectful and candid fashion, this definitely felt like a celebration. Especially well done is the central budding friendship, which was handled with warmth and sincerity and was truly heartfelt to watch.
Visually, 'The Disaster Artist' is certainly a more competent film while having some purposefully inept moments when re-enacting. The music is effective and fitting if not memorable or striking enough to get any rooting for awards. James Franco shows great confidence as a director and also gives a performance of a lifetime that shows him having the time of his life. It is easy to overlook his brother Dave, but he is not deserving of being because he gives every bit as good a performance while being more subtle. Seth Rogan is a riot and makes the most impression of the supporting cast.
Overall, very good and nearly great film, not disastrous in the slightest, misstepping only at the end and with some of the cameos. 8/10 Bethany Cox
- TheLittleSongbird
- 16. Feb. 2018
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Disaster Artist. Obra maestra
- Drehorte
- Majestic Crest Theater - 1262 Westwood Blvd., Westwood, Los Angeles, Kalifornien, USA("The Room" premiere exterior/interior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.120.616 $
- Eröffnungswochenende in den USA und in Kanada
- 1.211.345 $
- 3. Dez. 2017
- Weltweiter Bruttoertrag
- 29.820.616 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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