"Miss Violence" uses a subtlety and subtlety to treat and expose a perverse theme that opposes human nature, or does it not? this is the theme reflected in the film - although not to the depth we would like - another Greek film that exposes human nature, such as the great "Canine Tooth" or "The Boy Who Eats Alpiste", this new wave in Greek cinema that maybe has been rocked by its economic crises that makes the filmmakers seek inspiration in their own humanity. The script of miss violence keeps the revelation to the last act, and is giving clues in the first two playing with the viewer, instigating it, and that works in some way, because we are looking for clues and solutions, and when we think that an explanation is correct , the director integrates some point in the film that leaves us even more shaken and confused. But the script is intelligent, linear, working with few nuclei and practically a scenario he manages to maintain a high level of psychological suspense. In addition to child abuse, hostility and domestic violence, the film also deals with the loss and prohibition of mourning, it always has that story "So and so do not want you to cry at your funeral" and it is with this dilemma that our characters are not advised to follow, and yes, thank you. The film has a camera that films scene against scene all the time, leaving the camera always completely impartial, as in other films already mentioned, the director does not want to create a villain, he just wants to show what is happening, who chooses the villains are us, the movie also has a good set up even with its slow tempo and a great use of soundtrack. in addition to their range of actors, who are completely incredible, even the younger actors retain a remarkable sadness and melancholy, Alexandros Avranas director of the long, makes his first direction with the right foot and shows that he has talent. Finally, "Miss Violence" really is not a movie for any person, it takes a steel stomach, not for nojeira or gore, but for the context and subcontext present and operant in the work.
