Bastar: The Naxal Story

Unlike the terrorism in Kashmir, the Left Wing extremism (LWE) prevalent in the Indian Heartland, especially in Chattisgarh, doesn't have the same intensity of resonance and revulsion, as it seems to be generally localised and is not, overtly driven by religion.

This film tries to educate by condensing the events of a decade in a coherent narrative, in less than 2 hours.

It was poignant for me as CG sits abutting my home state of MP and growing up, I used to read about these happenings in the dailies.

It contains, possibly, the most graphic sequence of dismemberment of the human body, that has been showcased in Indian cinema. It also reminds us of the 2013 massacre of the entire Congress state leadership in an attack on its convoy in Jheeram valley. Then there are visuals of CRPF soldiers set afire and the celebrations that this had triggered in JNU .

It succeeds because it is generally engaging as it keeps the narrative very simplistic. There are clearly demarcated good and evil characters, who are monochromatic, with no shades of grey.

There is an Arundhati Roy like figure (Raima Sen, again cast in the role of an anti Indian, after Vaccine War) whose role is a caricature of a conniving journalist, who exists at the intersection of NGOs, industrialists, anti- mining lobbies and politicians.

It fails because there are only cursory references to the rise of Naxalism and the reason why many tribals in CG embraced this violent way of retribution against Indian state.

More effort should have been invested in creating believable characters, with solid background and motivation rather than just relying on a chat GPT generated good and evil persons.