Bato: Road to Death

The cinematography for the Nepali industry is decent, but the color grading is poorly done. It seems like the camera equipment are budget equipment. If they used the same quality of equipment as other Nepali production houses, the cinematography could have been even better.

The plot is weak. It seems like they tried to create a cult-like atmosphere, but the makers themselves couldn't fully conceptualize it. Even in the movie, it's unclear what exactly they were trying to portray, and it seems like the makers themselves were in a dilemma about the direction.

Moreover, it appears that the creators themselves were uncertain about the direction of the film. This indecision is palpable and translates into a confusing experience for the audience. The lack of a clear, fully formed concept makes it difficult to engage with the story. Instead of delivering a compelling narrative, the film leaves viewers puzzled and unsatisfied.