Es geht um eine unwahrscheinliche Beziehung zwischen zwei Menschen. Ein Mädchen aus einer großbürgerlichen Familie und ein Junge aus bescheidenen Verhältnissen verlieben sich ineinanderEs geht um eine unwahrscheinliche Beziehung zwischen zwei Menschen. Ein Mädchen aus einer großbürgerlichen Familie und ein Junge aus bescheidenen Verhältnissen verlieben sich ineinanderEs geht um eine unwahrscheinliche Beziehung zwischen zwei Menschen. Ein Mädchen aus einer großbürgerlichen Familie und ein Junge aus bescheidenen Verhältnissen verlieben sich ineinander
Bald verfügbar
Wird am 27. März 2025 veröffentlicht
- Auszeichnungen
- 1 Gewinn & 15 Nominierungen insgesamt
Gilles-Alane Ngalamou Hippocrate
- Lionel (17 ans)
- (as Gilles-Alane Hippocrate)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMalik Frikah, who plays 17-year-old Clotaire in this film, was a world champion Breakdancer when he was 10 years old.
- PatzerOne of the characters wears a Rolex Daytona Ceramic in the 1990s, but the watch was only released in 2016.
- VerbindungenReferences West Side Story (1961)
Ausgewählte Rezension
This movie is all style, no substance. It's an over-stylized, visually creative crime romance that somehow manages to be both emotionless and painfully cliché. Sure, there are some striking scenes that momentarily wowed me, but as soon as the movie ended, I forgot all of them. Why? Because for visuals to stick, they need to be tied to strong characters and meaningful story beats. They also need some level of consistency and repetition instead of just being random one-off moments scattered throughout the film. That said, these creative visuals do keep the movie from being boring, even as it drowns in clichés.
François Civil, Adèle Exarchopoulos, and their younger counterparts, Malik Frikah and Mallory Wanecque, all give solid performances, but I couldn't bring myself to care about their characters or their love story. They're just walking stereotypes-defined by a few traits, but not fully realized as people. Clotaire claims he ended up the way he did because of his rough upbringing, but the film never really backs that up. Jacqueline (Jackie) starts off clever, but her intelligence is quickly forgotten and never plays a role in the story. Her father, supposedly a kind and wise figure, never really impacts her life in any way. I guess he's just there to contrast Clotaire's unloving father and justify why she doesn't get involved in crime? That's it? Easily some of the worst character development I've seen in a while.
The themes are somehow even more cliché and uninspired than the characters and story. It tries to be about young love and its (in this case, meaningless) lifelong impact, but that doesn't land due to weak character work. Then, it throws in commentary on the economy, unemployment, and the bureaucracy of full-time jobs. It sprinkles in themes of female agency and family dysfunction. But none of these ideas actually resonate because they aren't built on strong storytelling or compelling characters.
At its core, this isn't a movie about themes, characters, or even the story. It's a movie about flashy visual creativity and tired genre tropes thrown in just for the sake of it. Sure, the cinematography and production design are impressive, but without the right characters and story, they don't land. I assume some of these shots will end up as shareable clips on social media, and honestly, that's where they work best. Watch it for the visuals-just don't expect anything more.
François Civil, Adèle Exarchopoulos, and their younger counterparts, Malik Frikah and Mallory Wanecque, all give solid performances, but I couldn't bring myself to care about their characters or their love story. They're just walking stereotypes-defined by a few traits, but not fully realized as people. Clotaire claims he ended up the way he did because of his rough upbringing, but the film never really backs that up. Jacqueline (Jackie) starts off clever, but her intelligence is quickly forgotten and never plays a role in the story. Her father, supposedly a kind and wise figure, never really impacts her life in any way. I guess he's just there to contrast Clotaire's unloving father and justify why she doesn't get involved in crime? That's it? Easily some of the worst character development I've seen in a while.
The themes are somehow even more cliché and uninspired than the characters and story. It tries to be about young love and its (in this case, meaningless) lifelong impact, but that doesn't land due to weak character work. Then, it throws in commentary on the economy, unemployment, and the bureaucracy of full-time jobs. It sprinkles in themes of female agency and family dysfunction. But none of these ideas actually resonate because they aren't built on strong storytelling or compelling characters.
At its core, this isn't a movie about themes, characters, or even the story. It's a movie about flashy visual creativity and tired genre tropes thrown in just for the sake of it. Sure, the cinematography and production design are impressive, but without the right characters and story, they don't land. I assume some of these shots will end up as shareable clips on social media, and honestly, that's where they work best. Watch it for the visuals-just don't expect anything more.
- ehsancinematic
- 18. Feb. 2025
- Permalink
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Details
Box Office
- Budget
- 35.700.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 36.010.728 $
- Laufzeit2 Stunden 46 Minuten
- Farbe
- Sound-Mix
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