The Green Inferno

2013
18
1 Std. 40 Min.

IMDb-BEWERTUNG

5,4/10

51.362

IHRE BEWERTUNG

BELIEBTHEIT

2.078

299

A group of student activists travels to the Amazon to save the rain forest and soon discover that they are not alone, and that no good deed goes unpunished.

trailer wiedergeben2:16

5 Videos

99+ Fotos

Folk Horror Jungle Adventure Splatter Horror Survival Adventure Horror

Eine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bl... Alles lesenEine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bleibt.Eine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bleibt.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,4/10

51.362

IHRE BEWERTUNG

BELIEBTHEIT

2.078

299

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt

Videos5

Fotos305

+ 299

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Wissenswertes
When Eli Roth and his crew approached villagers to be extras in the film, he soon realized that they had never seen a movie and had no concept of what one was. To demonstrate what a movie was, Eli brought a TV and a copy of Nackt und zerfleischt (1980) and had a screening for everyone. The villagers loved it and thought it was a comedy. They gladly acted in the film.

Patzer
As Kara is walking away after helping Justine chain herself to a tree, her face mask is on her arm; seconds later it's hanging on her neck and she is proceeding to put it on. All the while Justine is calling her name because her lock isn't working, then Justine appears struggling, then back to Kara getting her cell phone out of her pocket, but the mask seems to have disappeared, then it goes back to Justine, again still struggling with her lock, then back to Kara holding her cell phone up and magically her mask is back on her face. All this in a matter of seconds.

Zitate
[after feeding the natives marijuana]
Lars: Oh fuck, they got the munchies!

Crazy Credits
After the song credits and before the special thanks, there is a "brief history of the Italian cannibal genre and their many names, along with their directors and their many names".

Alternative Versionen
In Singapore, the film was edited before it could be approved for release with an R21 rating. The distributor was made to remove an instance of strong graphic violence which the board felt was gratuitous; the scene in question occurs as the natives hold a man down and torture him cracking open his skull, removing his tongue and limbs, gouging his eyes out and severing his limbs. Without these cuts the film would have been refused classification.

Verbindungen
Featured in The Tonight Show with Jay Leno: Folge #22.24 (2013)

Soundtracks
Janitors
Performed by Ariel Levy Dor
Written by Ariel Levy Dor
Courtesy of Ariel Levy Dor

Benutzerrezensionen398

Rezension

Ausgewählte Rezension

7/10

Waiting for the next plate of raw food

Eli Roth is a director whose style is evolving, reaching a more refined level. In his beginnings he was much more direct and dirty, if I may say so, which has its advantages, because he gave you what you were looking for, a no-holds-barred gore, which sometimes turned into real fun-fests, but at other times became excessively repetitive and flat. This level up helps to cover up what for me, is his biggest Achilles heel, his limited level as a dialogue writer, which still hasn't improved. Focusing on The Green Inferno, we have a clear homage to the Italian cannibal cinema of the 70s and 80s. If you're familiar with Cannibal Holocaust or Cannibal Ferox and liked them, you'll surely love Green Inferno, but if you disliked those, I don't think this is the film for you. Because let's face it, when you're about to see a film whose plot is cannibalism in the Amazon, well, Roth isn't fooling you. He may offer it to you in smaller quantities than you expected and yet it's still more substantial than the average level of horror today. Perhaps what most sets him apart from the older films is that first part of the film with a social critique never before seen in Roth's filmography. The presentation of the characters, both activists and indigenous and their interpretations are more than correct. You get to empathize with some of them, which may not be very pleasant when you know what awaits them... The music by Manuel Riveiro is a success, as well as the photography by Antonio Quercia and the FX by Ozzy Alvarez.

Because let's not fool ourselves, hell may be green, but its smell is red.