Nymphomaniac: Teil 2

Originaltitel: Nymphomaniac: Vol. II

2013
16
2 Std. 4 Min.

IMDb-BEWERTUNG

6,6/10

99.828

IHRE BEWERTUNG

BELIEBTHEIT

1.517

109

trailer wiedergeben1:46

3 Videos

99+ Fotos

Drama

Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,6/10

99.828

IHRE BEWERTUNG

BELIEBTHEIT

1.517

109

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 14 Gewinne & 31 Nominierungen insgesamt

Wissenswertes
Charlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.

Patzer
In the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.

Zitate
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.

Crazy Credits
Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."

Alternative Versionen
The director's cut adds roughly 57 minutes of footage, expanding some of the subplots.

Verbindungen
Featured in Film '72: Folge vom 19. Februar 2014 (2014)

Soundtracks
The Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music

Benutzerrezensionen183

Rezension

Ausgewählte Rezension

5/10

The lesser of the two films

Lars von Trier's second film about the life story of a female nymphomaniac goes down increasingly dark alleyways compared to VOL. I, but at the same time I found it the lesser movie. This film just doesn't have the drive or vitality that made the first film so interesting, and there are some odd plot decisions - especially towards the climax - that don't ring true.

There are still some oddly gripping moments here, but they're more disturbing than ever. Jamie Bell is a real surprise, playing a completely different character to that than you'd expect and doing very well with it too. I'm surprised that I found Charlotte Gainsbourg less sympathetic than the actress playing the younger version of her character. By the time Willem Dafoe enters the frame, the movie seems to have lost its way and become a bizarre, slow-paced thriller instead. And don't get me started on the Mia Goth stuff.

As before, this is a beautifully shot movie with a lot of fragility and artiness contained within its shots. But Lars von Trier can only keep the audience's interest for so long, and by now his tale is beginning to drag, leaving a film that is only so-so rather than profound. And that 'twist' ending is ludicrous more than anything else.