Füge eine Handlung in deiner Sprache hinzuA film that excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.A film that excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.A film that excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
- Auszeichnungen
- 25 Gewinne & 44 Nominierungen insgesamt
- Self - Storyteller
- (as Geoff Bowes)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSarah collected all the stories first. She went through all the period footage she had available. After that, she hired actors to recreate and reenact bits filmed on 8mm to complete the missing period footage. This explains why there is always "proof" of all the raconteurs stories. It works rather as flashbacks to place us in situation.
- Zitate
Michael Polley - Storyteller: When you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. It's only afterwards that it becomes anything like a story at all, when you're telling it to yourself or someone else.
- VerbindungenFeatured in At the Movies: Venice Film Festival 2012 (2012)
- SoundtracksTranquility
Written by Abraham Lass
From PLAY ME A MOVIE (Folkways Records/AH 3856)
Courtesy of TRF Production Music Libraries and Alpha Music Inc. and Smithsonian Folkways Recordings.
© 1971 Used by permission.
Sarah's siblings and family friends begin by talking about Sarah's mother, Diane, who died, aged 55, in 1990, when Sarah was 11 . (There's some actual 8mm footage of the family, intermixed with staged footage that has the same grainy look of old amateur filmmaking.)
Sarah's mother was beautiful, and she was vivacious and fun-loving. Sarah's dad was a handsome, decent person, but no one would describe him as vivacious and fun-loving. The marriage wasn't terrible, but it was clear to the couple--and eventually to their children--that it wasn't a good match.
That much information is established in the first half-hour of the movie. Then the question arises as to whether Sarah's dad is really her biological father. Polley decides to dig for this answer, and interview the same people she's already interviewed, although this time asking the question, "Who's my father?" Polley accumulates information bit by bit, and eventually expands her search to include people who knew Diane when she was performing in a play out of town.
As Sarah embarks on this search, the camera keeps rolling, and we go along at her side. It's a fascinating ride, because everyone has part of the picture, but only two people had the answer, and one of them is no longer alive.
Stories We Tell is a quiet, careful movie. There's anger, but no shouting, sadness, but no tears. Sarah Polley is in the middle of it all, but she's credited as the director, not as the star. In a way, the star of the movie really is the late Diane Polley, but she's the one person who can't tell her side of the story. That's what makes the whole thing so fascinating.
This is a movie you will want to see if you enjoy quiet, thoughtful, serious films. It will work equally well on a small or large screen.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Истории, которые мы рассказываем
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.600.145 $
- Eröffnungswochenende in den USA und in Kanada
- 27.053 $
- 12. Mai 2013
- Weltweiter Bruttoertrag
- 2.641.053 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1