Upstream Color

2013
Not Rated
1 Std. 36 Min.

IMDb-BEWERTUNG

6,5/10

35.380

IHRE BEWERTUNG

Shane Carruth and Amy Seimetz in Upstream Color (2013)

A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.

trailer wiedergeben2:10

8 Videos

68 Fotos

Medical Drama Psychological Drama Suspense Mystery Drama Mystery Sci-Fi

Ein Mann und eine Frau sind voneinander angezogen, verwickelt in den Lebenszyklus eines zeitlosen Organismus. Identität wird zur Illusion, als sie darum kämpfen, die losen Fragmente zerstört... Alles lesenEin Mann und eine Frau sind voneinander angezogen, verwickelt in den Lebenszyklus eines zeitlosen Organismus. Identität wird zur Illusion, als sie darum kämpfen, die losen Fragmente zerstörter Leben zusammenzufügen.Ein Mann und eine Frau sind voneinander angezogen, verwickelt in den Lebenszyklus eines zeitlosen Organismus. Identität wird zur Illusion, als sie darum kämpfen, die losen Fragmente zerstörter Leben zusammenzufügen.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,5/10

35.380

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 5 Gewinne & 35 Nominierungen insgesamt

Wissenswertes
The film that Kris is editing at the beginning of the movie is A Topiary, the film that Shane Carruth had begun production on before deciding to film Upstream Color instead.

Patzer
When the Sampler is incapacitating a pig with his instrument, the knot is thrown towards the pig's face and stretched. In the next frame, the wire knot is around the pig's body between its front & hind legs.

Zitate
Thief: I have to apologize. I was born with a disfigurement where my head is made of the same material as the sun.

Verbindungen
Featured in WatchMojo: Top 10 Best Sci-Fi Movies You've Probably Never Seen (2016)

Benutzerrezensionen187

Rezension

Ausgewählte Rezension

5/10

Downstream Oblivian

I give it 5 stars for keeping my interest. At least five or six times, I was ready to stop watching it. I couldn't turn it off though, because finishing the film was much like the compulsion to look at a car accident. I just knew the film wouldn't end well, but I had to watch it. It seemed to be straight forward enough in the beginning, but then it went down the rabbit hole. A few minutes later it would start to make sense again. But just when I thought I knew what was happening, something would throw me off. As I got more and more confused and frustrated, I just got more and more determined to see it through in hopes that it would all come together somehow. I know it's cliché, but I have to say, I want my 96 minutes back.