The Trip

2010
Not Rated
1 Std. 52 Min.

IMDb-BEWERTUNG

7,0/10

23.629

IHRE BEWERTUNG

Rob Brydon and Steve Coogan in The Trip (2010)

When The Observer asks Steve Coogan to tour Northern England's finest restaurants, the actor's idealized getaway soon turns into an exasperating assignment with best friend/professional rival Rob Brydon in tow.

trailer wiedergeben2:12

2 Videos

55 Fotos

Road Trip Comedy Drama

Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehme... Alles lesenSteve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,0/10

23.629

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 2 Nominierungen insgesamt

Wissenswertes
There is no credited writer. Majority of the film is improvised.

Zitate
Rob: You could have a costume drama here, couldn't you?
Steve: I would love-I'd absolutely-I'd just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, 'cause I've seen so many horrors that I'm sort of immune to them, and I'd say something like, "Gentlemen, to bed! Gentlemen, to bed, for we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime affliction."
Rob: Nice.
Steve: To bed, for we rise at daybreak!
Rob: Very good. Very impressive.
Steve: But they always, they always leave at daybreak. They never leave at, you know, nine-thirty. "Gentlemen to bed, for we leave at nine-thirty!"
Rob: Ish.
Steve: Ish. "Gentlemen to bed, for we rise at... What time is the battle? About, oh, twelve o'clock? Twelve o'clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?"
Rob: Eight-thirty for nine.
Steve: "Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after daybreak. Seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot."
Rob: Do you want to have a run, sire, in the morning? Just to loosen up, sire.
Steve: Yes.
Rob: Another thing they never say is, "Right! Well! We'd better make a move. I want to get back in daylight. We'd better make a move."
Steve: To bed! Tomorrow we ride! We leave at ten-ish.

Verbindungen
Edited from The Trip (2010)

Soundtracks
Camille
Written by Michael Nyman
Published by Chester Music Limited
Courtesy of MN Records

Benutzerrezensionen69

Rezension

Ausgewählte Rezension

7/10

No Excess, Just Class

What a winning combination can be found in Steve Coogan and Rob Brydon in Michael Winterbottom's comedy The Trip. Utilizing every inch of British humor that they can, Coogan and Brydon take the witty script even further, making real characters out of themselves and playing it straight, whether it's hilarious or a little heartbreaking. Set up as a mockumentary, Steve Coogan (playing himself) is asked to make a country-wide tour of England and explore the best restaurants in the country. Unable to take his girlfriend, he ends up taking his actor best friend Rob Brydon (also playing himself), and the two must endure the trip together, which becomes quite a challenge for Steve and Rob. They make quite the pair from there, often feeding into one another's humor brilliantly and in only a classy way, as they try to pass the time. They deal with their (sometimes dismal) outside life, which helps the film get some weight, but mainly focuses on the silly things they do when they are on the trip, which is usually impersonating people they admire or dreaming about roles and films they wish they would and I suppose could make. Even when their humor starts to repeat itself, it is surprisingly still intriguing. This is probably because it is such a refreshing contrast from the loud and obnoxious comedies we have been accustomed to in the Hollywood market. This film is quieter, but it's so damn funny. It finds its humor from not playing dumb to the audience, and higher minded viewers will appreciate that while simpler minded viewers might even find the film dull or droning. What I found is a hilarious, classy, British comedy that never tries too hard, and in doing so, it succeeds where other comedies only wish they could. A-