Always/Music Box/Born on the Fourth of July/Tango and Cash/Camille Claudel
- Folge lief am 23. Dez. 1989
- TV-PG
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WUSSTEST DU SCHON:
- Zitate
Roger Ebert: [reviewing "Tango and Cash"] You see, it's not that I don't like movies about two cops and lots of special effects. It's just that I don't like BAD movies about two cops and lots of special effects. And "Tango and Cash" is a waste of valuable electricity. I mean, I think they should've just not made this movie. There is nothing there that is worth anybody's time to see. It's a no-brainer movie. It doesn't even make the slightest difference when you walk in. You can start the movie at any time; if you happen to have the movie at home on videotape, y'know, you can just start it at random and come in from the beginning. It's a loop. It's a loop of very few wisecracks, lots of explosions, lots of guns, Jack Palance playing with his mice, which is supposed to make him some kind of a character, plus his obsolete TV screens that were out about ten years ago, that he's so proud of.
- VerbindungenFeatures Camille Claudel (1988)
Season 4, Episode 15
This episode of Siskel & Ebert has the critics reviewing TANGO AND CASH, THE MUSIC BOX, Steven Spielberg's ALWAYS, BORN ON THE FOURTH OF JULY and CAMILLE CLAUDEL. Here's another really good episode with the critics getting to dig into a couple very different movies. You've got the mindless action of the Sly picture, which neither enjoyed. You've got the Oliver Stone picture, which was considered one of the year's best. You've also got a big production from Spielberg that both had problems with. Overall thsi was a very entertaining episode that has some really good conversations between the two critics that fans wille njoy.
- Michael_Elliott
- 8. Jan. 2018
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