Ein mordlüsterner Autoreifen entdeckt seine zerstörerische telekinetische Kraft. Er lenkt sein Augenmerk auf eine Wüstenstadt, in welcher er von einer mysteriösen Frau besessen ist.Ein mordlüsterner Autoreifen entdeckt seine zerstörerische telekinetische Kraft. Er lenkt sein Augenmerk auf eine Wüstenstadt, in welcher er von einer mysteriösen Frau besessen ist.Ein mordlüsterner Autoreifen entdeckt seine zerstörerische telekinetische Kraft. Er lenkt sein Augenmerk auf eine Wüstenstadt, in welcher er von einer mysteriösen Frau besessen ist.
- Auszeichnungen
- 5 Gewinne & 3 Nominierungen insgesamt
- Black Woman
- (as Cecilia Antoinette)
- Zach
- (as Remi Thorne)
- Cleaning Lady
- (as Tara O'Brien)
- Cop Luke
- (as Pete Di Cecco)
- Cop Denise
- (as Courtenay K. Taylor)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMade mostly with practical special effects - very little CGI was used.
- PatzerWhen the tire is watching Nascar on the TV, the sound we hear is from a different series of motor-racing; possibly Formula 1.
- Zitate
[first lines]
Lieutenant Chad: In the Steven Spielberg movie "E.T.," why is the alien brown? No reason. In "Love Story," why do the two characters fall madly in love with each other? No reason. In Oliver Stone's "JFK," why is the President suddenly assassinated by some stranger? No reason. In the excellent "Chain Saw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands like people do in real life? Absolutely no reason. Worse, in "The Pianist" by Polanski, how come this guy has to hide and live like a bum when he plays the piano so well? Once again the answer is, no reason. I could go on for hours with more examples. The list is endless. You probably never gave it a thought, but all great films, without exception, contain an important element of no reason. And you know why? Because life itself is filled with no reason. Why can't we see the air all around us? No reason. Why are we always thinking? No reason. Why do some people love sausages and other people hate sausages? No fuckin' reason.
Cop Xavier: [honks the horn] Come on! Don't waste your time explaining that garbage. Let's go!
Lieutenant Chad: Just a minute. Let me finish.
[looks back at the audience]
Lieutenant Chad: Ladies, gentlemen, the film you are about to see today is an homage to the "no reason" - that most powerful element of style.
[pours his glass of water on the ground before getting back into the trunk of the police car]
- Crazy CreditsDuring the closing credits, the opening monologue by Lt. Chad is shown from a different angle that shows the speech is for the "in-film" audience, and not the "theater" film audience.
- VerbindungenFeatured in Trailer Failure: Rubber, Madea, Shotgun (2011)
- SoundtracksJust Don't Want To Be Lonely
Lyrics and music by Vinnie Barrett, John C Jr Freeman and Bobby Eli
Performed by Blue Magic
The film opens with a character talking directly to the viewer by breaking the fourth wall. He states the the film has no purpose, so he is actually preparing you for the most useless film you'll ever see. Unless of course you've been one of the special few who have seen The Room. As interesting as this may be, it's also a drawback. Why would someone think that to interest an audience, you need to tell them from the beginning that everything has no purpose what so ever. It makes the audience feel like they are wasting their time. Rubber wasted my time.
I don't know why the prospect of a killer tire that makes your head explode sounded good to me, but it did. I thought I was in for a ridiculously cheesy good time. I got something else entirely. A boring, redundant film that has no fun factor. The audience is actually a part of the film, represented by a few people who actually watch the events unfold and make comments. Again, an interesting concept that never materializes.
I give the film credit for looking great, it never felt like a cheap film to me. They get creative when shooting scenes with the tire, they make the killer tire really seem to have a mind of it's own. They actually give it a name in the credits, Robert. All this creativity is wasted though on a script that bores the hell out of the viewer. They were on a mission to make a film with no purpose, good job they achieved it.
- Matt_Layden
- 28. Jan. 2011
- Permalink
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Bánh Xe Ma Quái
- Drehorte
- Four Aces Movie Ranch - 14499 E Ave Q, Palmdale, Kalifornien, USA(Sheila's car stalled, tire bumped by pickup truck)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 100.370 $
- Eröffnungswochenende in den USA und in Kanada
- 16.346 $
- 3. Apr. 2011
- Weltweiter Bruttoertrag
- 101.729 $
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1