IMDb-BEWERTUNG
6,3/10
128.074
IHRE BEWERTUNG
Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.
- Auszeichnungen
- 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- PatzerNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Zitate
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Crazy CreditsThe end credits are done in the style of a train map.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- SoundtracksMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
Ausgewählte Rezension
Neeson creates a likable, sympathetic character. This is necessary for the heightening of tension, which screws on inexorably until you just don't see any way out for him.
The camera-work was particularly masterful - creative, meticulous, thought out to a granular level. There are two particular action-pieces towards the climax that are breathtaking, at least one of which looks like (but surely isn't) a single, extended take. The camera defines space and gravity, and is part of the expeience.
Yes, there are some credibility straining factors. But it is after all a movie, not a procedural. On the other hand, there are some very neat surprises.
Glad we saw it!
The camera-work was particularly masterful - creative, meticulous, thought out to a granular level. There are two particular action-pieces towards the climax that are breathtaking, at least one of which looks like (but surely isn't) a single, extended take. The camera defines space and gravity, and is part of the expeience.
Yes, there are some credibility straining factors. But it is after all a movie, not a procedural. On the other hand, there are some very neat surprises.
Glad we saw it!
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El pasajero
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.343.858 $
- Eröffnungswochenende in den USA und in Kanada
- 13.701.452 $
- 14. Jan. 2018
- Weltweiter Bruttoertrag
- 119.942.434 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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