Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.Ein Geschäftsmann gerät auf seinem täglichen Nachhauseweg in eine kriminelle Verschwörung.
- Auszeichnungen
- 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- PatzerNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Zitate
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Crazy CreditsThe end credits are done in the style of a train map.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- SoundtracksMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
Ausgewählte Rezension
The movie started off good, showing the daily routine, introducing the characters and setting up the mystery. The editing was interesting and even a little artsy, yet it got me hooked. I really enjoyed the first 30 minutes.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El pasajero
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.343.858 $
- Eröffnungswochenende in den USA und in Kanada
- 13.701.452 $
- 14. Jan. 2018
- Weltweiter Bruttoertrag
- 119.942.434 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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