Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
Gabriela Marcinková
- Anya
- (as Gabriela Marcinkova)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSaoirse Ronan actually played Ludwig van Beethoven's complicated Piano Sonata Opus 2, No. 3, having undergone an intense twelve-week crash course in piano lessons.
- PatzerWhen Clara is looking for Eleanor she is running on the upper level of the promenade. She calls to Eleanor as if she has spotted her on the lower level. The pavement would prevent Clara from seeing her until Eleanor has come out from the lower level.
- VerbindungenFeatured in Projector: Byzantium (2013)
- SoundtracksFlaunt
Written by Jay Condiotti and Nadia Fay
Performed by Girls Love Shoes
Licensed courtesy of Girls Love Shoes
Administered by Music Dealers
Published by J Bones, Hot Geek Publishing and Music Dealers Publishing UK
Ausgewählte Rezension
This poster drew me to this film. Not the poster shown here on IMDb, but the colorful green, yellow and red which are used other places. I wasn't expecting too much, but was surprise ad when I saw the casting, and that it was a Neil Jordan-flick. I've admired Jordan since I saw The Crying Game.
This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.
If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.
The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.
Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.
I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.
This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.
If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.
The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.
Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.
I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- A Vampire Story
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 89.237 $
- Eröffnungswochenende in den USA und in Kanada
- 16.643 $
- 30. Juni 2013
- Weltweiter Bruttoertrag
- 828.284 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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