Wie wilde Tiere

When one person's hell is another person's paradise, conflict is inevitable.

This film tells the story of a crime, which opposes beasts, mountain brutes who have nothing to lose, to dreamers, agroecologists who return to the origins, fed up with urbanity.

If the dream of some prevents the end of the nightmare of others, tragedy seems inevitable.

I cannot help find some reminiscences in this argument with Jean de Florette/Manon des Sources by Marcel Pagnol. But here everything happens in a darker, more brutal, more realistic way. Here the violence is much more than just psychological.

A dark but intelligent vision of rural counter-exodus and agroecology.