IMDb-BEWERTUNG
5,8/10
4154
IHRE BEWERTUNG
Eine außergewöhnlich talentierte junge Frau verbindet in diesem bildgewaltigen Liebesdrama eine tiefe, zerstörerische Liebe mit ihrem Freitauchlehrer, einem Rekordhalter.Eine außergewöhnlich talentierte junge Frau verbindet in diesem bildgewaltigen Liebesdrama eine tiefe, zerstörerische Liebe mit ihrem Freitauchlehrer, einem Rekordhalter.Eine außergewöhnlich talentierte junge Frau verbindet in diesem bildgewaltigen Liebesdrama eine tiefe, zerstörerische Liebe mit ihrem Freitauchlehrer, einem Rekordhalter.
Hassam Ghancy
- Le Médecin
- (as Hassam Ghanci)
Eva Danino
- Anna
- (as Éva Danino)
Handlung
WUSSTEST DU SCHON:
- WissenswertesShortly after the film's premiere on Netflix, former diver Francisco Ferreras sued Netflix for intentionally suggesting him being the murderer of his wife, Audrey Mestre. Ferreras and Mestre were a diver couple who used to perform free diving across the world. In 2002 during a free dive in the Dominican Republic, Mestre drowned while surfacing from underwater, as her surfacing device malfunctioned. Following her death, the media strongly suggested Ferreras to be the perpetrator, as he might have interfered the device in order to kill her. He was even arrested for questioning, but was later released. In No Limit, Mestre and Ferreras' story is loosely adapted into a drama between estranged couple Pascal Gautier and Roxane Aubrey. In the film, Pascal is an abusive husband of Roxane who is jealous of her successful career in free diving, something he is not perfect at. The film strongly suggests at the finale that he sabotaged Roxane's breathing device that causes her to drown underwater while surfacing, similar to the death of Audrey Mestre in real life. At the end of the film, an obituary dedicated to Mestre is shown.
Following the release of the film, Mestre's widower Ferreras filed a defamation lawsuit against Netflix for blaming him for Mestre's death, as the film claimed to be "inspired by true events". In response, director David M. Rosenthal said that the film was a work of fiction and had no similarities with real life whatsoever.
Ausgewählte Rezension
Once upon a time there was a film made about Gandhi who insofar as I remember was Indian. They used a British Jewish actor to play Gandhi. I still wonder why? No Indians available?
Then later on and before that they would make cowboy movies with white actors painted to look like Braves. Here in these Woke years they use actor Sofiane to play a character called Pascal which may seem a bit odd to some viewers; did they run out of Frenchmen who are not French Arabs? It seems unnecessary to me but anyway he does a great job here as the Baddie of the piece.
As regards the other main protagonist her acting is okay here only during the bar scene with the secondary love interest does she giggle a tad like a brainless model; the rest of the time she is really quite adequate even very good at times. The other acting folks here are all pretty good not stellar But pretty good.
The tale here is a total grim fest. Both main characters have childhoods that would make Dickens and Eugène Sue blush and they tell you about them. The activity they are engaged in is to a sane person so crazy that it beggars belief.
I remember the film Im Rausch Der Tiefe (1988) from years ago (Luc Besson 1988) and this was excellent (free diving is huge in France) ; here we have what it has come to now an exaggeration a crazy hyperbolic take on free diving full of technology machines and pushing the human body to a place where it can only die.
Trying to produce no spoilers here but it does not end well surprisingly. Do not watch this film if you want something to cheer up this will not tick that box. Also it is intimated that something of the same nature happened in real time to a real female diver in The Dominican Republic; maybe just an homage; probably not a cut-and-paste
To summarise it is very adequate film well-made the acting I would rate at 75% of what it could have been; but whichever way you cut this the storyline is strong and that is a very crucial component of any movie...
PS so i went and watched Im Rausch Der Tiefe (1988) again after all these years and that too was not a tale of joy either .... I had forgotten the ending probably just remembered the cuddly dolphs and gorgeous curves of Rosanna .... but yes in a way "Sous Emprise" is just an amped version in the more accelerated and cruel world of 2022 .... I remembered Im Rausch Der Tiefe (1988) as chipper chirpier ... but noooooo it sure was not.
Then later on and before that they would make cowboy movies with white actors painted to look like Braves. Here in these Woke years they use actor Sofiane to play a character called Pascal which may seem a bit odd to some viewers; did they run out of Frenchmen who are not French Arabs? It seems unnecessary to me but anyway he does a great job here as the Baddie of the piece.
As regards the other main protagonist her acting is okay here only during the bar scene with the secondary love interest does she giggle a tad like a brainless model; the rest of the time she is really quite adequate even very good at times. The other acting folks here are all pretty good not stellar But pretty good.
The tale here is a total grim fest. Both main characters have childhoods that would make Dickens and Eugène Sue blush and they tell you about them. The activity they are engaged in is to a sane person so crazy that it beggars belief.
I remember the film Im Rausch Der Tiefe (1988) from years ago (Luc Besson 1988) and this was excellent (free diving is huge in France) ; here we have what it has come to now an exaggeration a crazy hyperbolic take on free diving full of technology machines and pushing the human body to a place where it can only die.
Trying to produce no spoilers here but it does not end well surprisingly. Do not watch this film if you want something to cheer up this will not tick that box. Also it is intimated that something of the same nature happened in real time to a real female diver in The Dominican Republic; maybe just an homage; probably not a cut-and-paste
To summarise it is very adequate film well-made the acting I would rate at 75% of what it could have been; but whichever way you cut this the storyline is strong and that is a very crucial component of any movie...
PS so i went and watched Im Rausch Der Tiefe (1988) again after all these years and that too was not a tale of joy either .... I had forgotten the ending probably just remembered the cuddly dolphs and gorgeous curves of Rosanna .... but yes in a way "Sous Emprise" is just an amped version in the more accelerated and cruel world of 2022 .... I remembered Im Rausch Der Tiefe (1988) as chipper chirpier ... but noooooo it sure was not.
- anxiousgayhorseonketamine
- 9. Sept. 2022
- Permalink
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Details
Box Office
- Budget
- 7.900.000 € (geschätzt)
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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