IMDb-BEWERTUNG
6,1/10
1195
IHRE BEWERTUNG
Aufstieg und Fall des Schauspielers Ferdinand Marian, der die Gelegenheit nutzte und die Hauptrolle in dem antisemitischen Film Jud Süß (1940) übernahm.Aufstieg und Fall des Schauspielers Ferdinand Marian, der die Gelegenheit nutzte und die Hauptrolle in dem antisemitischen Film Jud Süß (1940) übernahm.Aufstieg und Fall des Schauspielers Ferdinand Marian, der die Gelegenheit nutzte und die Hauptrolle in dem antisemitischen Film Jud Süß (1940) übernahm.
- Auszeichnungen
- 2 Gewinne & 11 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the movie Harlan mentioned an affair of Goebbels with a Czech dancer. This is an actual event from 1938, where Goebbels fell in love with Lida Baarova, who was starring in the German 1938-movie "Der Spieler", playing Nina, General Kirileff's daughter. Goebbels called Baarova a "complete beautiful woman" and was even thinking about getting divorce from his wife Magda, who herself had an affair with another man. After Magda asked advice by Hitler he refused it, also because the German army was planning invading the Sudetenland in that moment. After a personal talk between Hitler and Goebbels, he took the divorce request back, which made Lida Baarova to a Persona non grata. However according to Czech sources Baarova didn't wanted it this affair but had no choice, as she was afraid of Goebbels and his love letters where he described himself and her as Adam and Eve living on an island. In later talks Goebbels always denied an affair with Baarova.
- PatzerGoebbels says to Hippler, that the Fuehrer (Hitler) doesn't like Shakespeare. Actually Hitler loved him, even more than Schiller and Goethe. His favorite plays were Hamlet and Julius Ceasar.
- Zitate
Joseph Goebbels: Actors are like children, dumb but lovely.
- Crazy CreditsThe opening credits only contain the name of the movie and a list of the production companies and supporter organizations.
- VerbindungenEdited from Jud Süß (1940)
- SoundtracksDer Wind hat mir ein Lied erzählt
Musik: Lothar Brühne / Text: Bruno Balz
Ausgewählte Rezension
This is a very delicate subject and the filmmaker at hand might not have been the best choice. His directing (Moritz B. as Goebbels would have needed some guidance), his poor choices in staging some scenes and other flaws become very apparent.
On the other hand, he is not afraid to go places, that others might not have dared (an intercourse that is so absurd, it's almost funny, if it weren't tragic ... and a scene you will either love or hate). Of course the faux documentary style tries to recreate a feeling of what happened back then. But the fact, that he was just a director for hire, seems to apparent.
He did not really check or confront himself too much with the story. Instead opting on doing what he got from the script (or his interpretation of it). And it's a shame that some powerful scenes such a the one in a tent, were the movie is shown, with reactions, is getting sidetracked and completely dismissed by the next set-up outside the tent, when it seems to be a completely different movie, with no class or style attached to it.
Moretti on the other hand (as most actors), try their best. You cannot fault him (or his "wife" in the movie) for any shortcomings of the end result. With a subject matter like this you could expect a better movie. Some parts are really good and it's ambiguity is still something I cherish (that's why I rated it so "high"). Still there is no constant flow and the mood is all over the place ... same goes for Bleibtreus Goebbels ...
On the other hand, he is not afraid to go places, that others might not have dared (an intercourse that is so absurd, it's almost funny, if it weren't tragic ... and a scene you will either love or hate). Of course the faux documentary style tries to recreate a feeling of what happened back then. But the fact, that he was just a director for hire, seems to apparent.
He did not really check or confront himself too much with the story. Instead opting on doing what he got from the script (or his interpretation of it). And it's a shame that some powerful scenes such a the one in a tent, were the movie is shown, with reactions, is getting sidetracked and completely dismissed by the next set-up outside the tent, when it seems to be a completely different movie, with no class or style attached to it.
Moretti on the other hand (as most actors), try their best. You cannot fault him (or his "wife" in the movie) for any shortcomings of the end result. With a subject matter like this you could expect a better movie. Some parts are really good and it's ambiguity is still something I cherish (that's why I rated it so "high"). Still there is no constant flow and the mood is all over the place ... same goes for Bleibtreus Goebbels ...
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Jud Süß - Film ohne Gewissen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 975.007 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Jud Süss - Film ohne Gewissen (2010) officially released in Canada in English?
Antwort