In einer kleinen Stadt in Maine begegnen sieben Kinder, bekannt als "Der Club der Verlierer", den Problemen des Lebens, brutalen Fieslingen und einem Monster, das die Gestalt eines Clowns na... Alles lesenIn einer kleinen Stadt in Maine begegnen sieben Kinder, bekannt als "Der Club der Verlierer", den Problemen des Lebens, brutalen Fieslingen und einem Monster, das die Gestalt eines Clowns namens Pennywise annimmt.In einer kleinen Stadt in Maine begegnen sieben Kinder, bekannt als "Der Club der Verlierer", den Problemen des Lebens, brutalen Fieslingen und einem Monster, das die Gestalt eines Clowns namens Pennywise annimmt.
- Auszeichnungen
- 12 Gewinne & 49 Nominierungen insgesamt
Jaeden Martell
- Bill Denbrough
- (as Jaeden Lieberher)
Molly Atkinson
- Sonia Kaspbrak
- (as Molly Jane Atkinson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJack Dylan Grazer (Eddie) was the first one out of all the kids to work with Bill Skarsgård (Pennywise). During their scene, Grazer would cry and gag while Skarsgård was right in his face yelling and drooling. Skarsgård was genuinely concerned for Grazer and after the scene ended, asked him if he was okay. Grazer looked right at him and said, "Love what you're doing with the character!" Skarsgård was left confused and impressed at Grazer's attitude, calling the child actors "little professionals."
- PatzerDerry, Maine is in the USA, however, a war memorial contains the line "For king and country", revealing the filming location in Canada.
- Zitate
Richie Tozier: I hear the list is longer than my wang.
Stanley Uris: That's not saying much.
- Crazy CreditsThe film title "It" appears at the start as the camera zooms out of a Derry sewer tunnel.
The title appears again in the closing credits with "Chapter One" added to it.
- VerbindungenFeatured in Blackcatloner: The Last Week of Work Workout (2017)
- SoundtracksLove Removal Machine
Written by Ian Astbury and Billy Duffy (as William Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
Ausgewählte Rezension
So I went and saw IT, and came back unimpressed. I mean it was a good movie, no doubt about that. A bunch of kids, outcasts in their own right, being terrorized by an ancient demon that plays upon the fears of its victims is pretty much the standard in Hollywood horror movie territory. All the kids are well cast, the script is funny and tight, and there are plenty of monster shots. The cinematography is great, the pace is even and the CGI is flawless. But is more funny than terrifying- it's R rating more a justification of teenage slang in the script, rather than for true scares.
But that is what typically Stephen King is all about. His stories are studies on relationships rather than all out horror. In IT, King reversed Spielberg's E.T, and explored everyday monsters of childhood- abuse, violence and neglect. Juxtapose that with an eternal evil shape-shifting entity who wakes up every 27 years to prey, and you have a shawarma of a plot. The book is scary, the movie isn't. Probably so because today, we are used to Stranger Things.
We are used to kids doing stupendous stuff these days- whether running billion dollar companies, or bringing back lost souls from other dimensions. It all seems very easy for today's generation to figure things out- most of IT establishes this narrative. A wonderful group of actors face off against Bill Skarsgard's Pennywise the Dancing Clown, and they all nail their parts. The movie takes place in a town where all the adults are essentially villains- so its not just the kids versus the clowns everyone else. But for sheer impact, IT never reaches the highs it achieves in its first sequence.
It is a great example of how strong marketing can make mediocre movies look a billion bucks. Other reviewers are putting IT right up there with other Stephen King adaptions such as The Shining and The Thing. Oh please, that would be laying it too thick. Director Andy Muschietti's earlier take on the genre- Mama, is a far better contender.
No good horror movie can get away by being light on scares, however good the characters and the script are. So look at IT as an extension of Goonies or Stranger Things, a PG-13 romp, not an iconic horror movie. 7/10
But that is what typically Stephen King is all about. His stories are studies on relationships rather than all out horror. In IT, King reversed Spielberg's E.T, and explored everyday monsters of childhood- abuse, violence and neglect. Juxtapose that with an eternal evil shape-shifting entity who wakes up every 27 years to prey, and you have a shawarma of a plot. The book is scary, the movie isn't. Probably so because today, we are used to Stranger Things.
We are used to kids doing stupendous stuff these days- whether running billion dollar companies, or bringing back lost souls from other dimensions. It all seems very easy for today's generation to figure things out- most of IT establishes this narrative. A wonderful group of actors face off against Bill Skarsgard's Pennywise the Dancing Clown, and they all nail their parts. The movie takes place in a town where all the adults are essentially villains- so its not just the kids versus the clowns everyone else. But for sheer impact, IT never reaches the highs it achieves in its first sequence.
It is a great example of how strong marketing can make mediocre movies look a billion bucks. Other reviewers are putting IT right up there with other Stephen King adaptions such as The Shining and The Thing. Oh please, that would be laying it too thick. Director Andy Muschietti's earlier take on the genre- Mama, is a far better contender.
No good horror movie can get away by being light on scares, however good the characters and the script are. So look at IT as an extension of Goonies or Stranger Things, a PG-13 romp, not an iconic horror movie. 7/10
- achyutaghosh
- 8. Sept. 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Es - Kapitel Eins
- Drehorte
- Bangor, Maine, USA(on location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 328.874.981 $
- Eröffnungswochenende in den USA und in Kanada
- 123.403.419 $
- 10. Sept. 2017
- Weltweiter Bruttoertrag
- 704.242.888 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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