IMDb-BEWERTUNG
3,9/10
4313
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn action film for the youth generation, set in a decaying future London. A gang set out on a chase to avenge the murder of one of their own.An action film for the youth generation, set in a decaying future London. A gang set out on a chase to avenge the murder of one of their own.An action film for the youth generation, set in a decaying future London. A gang set out on a chase to avenge the murder of one of their own.
Ashley Thomas
- Rager
- (as Ashley 'Bashy' Thomas)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhile filming in the Heygate Estate in Walworth, South London during September 2009, neighbors complained about the way the film-makers were depicting gangs and turf wars.
- PatzerAt the beginning of the film it is announced that King William has fled the country, suggesting that the current Queen has passed away or abdicated, however all of the money in the film appears to be newly printed 20 pound notes with Queen Elizabeth II's head on them.
- VerbindungenReferences Streets of London - Kidulthood (2006)
- SoundtracksTALES FROM THE CRYPT
Performed by Wire
Written, Produced and Engineered by Sam Wire
© Control
Ausgewählte Rezension
Walking out of a film half an hour before the end is a gesture I used to abhor. No matter how rancid a film appears to be, you should always see it through once you've started. Otherwise you're not quite in a position to properly criticise it.
I've changed my mind innit. Shank was profoundly unwatchable. I saw it in a theatre with maybe another 50 people; I could hear sighs and groans coming from all directions throughout the picture. Every macho posture, every tedious shouting match, every useless camera jerk, every inept stylistic manoeuvre seemed to audibly destroy a part of someone in there. Myself included, which is why I got the hell outta there.
I haven't seen Bullet Boy or Kidulthood, two other London-set youth violence epics which apparently bear a resemblance to this dirge, so I cannot compare them. I can only say that Shank is a stain on the good name of film. It consists of scene after scene of fantastically unappealing teen anti-heroes yelling at each other in grimy surroundings, punctuated by the occasional flashy chase scene or, in one instance, a dogfight captured in outdated computer graphics. Despite the digitally-enhanced nature of this scene, we don't actually see the dogs fighting, just about 5 minutes of close-ups of the deliriously screaming spectators - the film actually goes out of its way to be boring and repetitive; I simply cannot believe that this was an accident or oversight.
I kinda have a thing for Kaya Scodelario, and the promise of her presence may have been the deciding factor in making me go to see this mush. But she couldn't save it for me; she didn't even show up until the film had battered me senseless for over an hour, and by then I had already accepted that the useless script wasn't gonna give her a chance to display the spunk and sex appeal she delivered in Skins. This useless film wouldn't even let Kaya be spunky and sexy! I walked out shortly after she showed up, when it became clear she was there only for the lead actors to harass her a little bit.
I'm pretty much finished now. Thank you for reading. And please don't give the makers of Shank any of your hard-earned, or even hard-benefited cash. They must learn to try harder.
I've changed my mind innit. Shank was profoundly unwatchable. I saw it in a theatre with maybe another 50 people; I could hear sighs and groans coming from all directions throughout the picture. Every macho posture, every tedious shouting match, every useless camera jerk, every inept stylistic manoeuvre seemed to audibly destroy a part of someone in there. Myself included, which is why I got the hell outta there.
I haven't seen Bullet Boy or Kidulthood, two other London-set youth violence epics which apparently bear a resemblance to this dirge, so I cannot compare them. I can only say that Shank is a stain on the good name of film. It consists of scene after scene of fantastically unappealing teen anti-heroes yelling at each other in grimy surroundings, punctuated by the occasional flashy chase scene or, in one instance, a dogfight captured in outdated computer graphics. Despite the digitally-enhanced nature of this scene, we don't actually see the dogs fighting, just about 5 minutes of close-ups of the deliriously screaming spectators - the film actually goes out of its way to be boring and repetitive; I simply cannot believe that this was an accident or oversight.
I kinda have a thing for Kaya Scodelario, and the promise of her presence may have been the deciding factor in making me go to see this mush. But she couldn't save it for me; she didn't even show up until the film had battered me senseless for over an hour, and by then I had already accepted that the useless script wasn't gonna give her a chance to display the spunk and sex appeal she delivered in Skins. This useless film wouldn't even let Kaya be spunky and sexy! I walked out shortly after she showed up, when it became clear she was there only for the lead actors to harass her a little bit.
I'm pretty much finished now. Thank you for reading. And please don't give the makers of Shank any of your hard-earned, or even hard-benefited cash. They must learn to try harder.
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Details
Box Office
- Budget
- 385.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 713.697 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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