IMDb-BEWERTUNG
6,3/10
22.751
IHRE BEWERTUNG
Ein Werbemanager reist in der Zeit vom London des 21. Jahrhunderts nach La Mancha des 17. Jahrhunderts zurück, wo Don Quijote ihn für Sancho Panza hält.Ein Werbemanager reist in der Zeit vom London des 21. Jahrhunderts nach La Mancha des 17. Jahrhunderts zurück, wo Don Quijote ihn für Sancho Panza hält.Ein Werbemanager reist in der Zeit vom London des 21. Jahrhunderts nach La Mancha des 17. Jahrhunderts zurück, wo Don Quijote ihn für Sancho Panza hält.
- Auszeichnungen
- 5 Gewinne & 12 Nominierungen insgesamt
Ismael Fritschi
- Sancho Panza (commercial)
- (as Ismael Fritzi)
Juan López-Tagle
- Spanish Propman
- (as Juan López Tagle)
Jordi Mollà
- Alexei Miiskin
- (as Jordi Mollá)
Handlung
WUSSTEST DU SCHON:
- WissenswertesProduction finally finished on June 4, 2017. A few days later, Gilliam jokingly posted on Facebook that he had accidentally deleted the film.
- Crazy CreditsTerry Gilliam's "a Terry Gilliam film" credit is preceded by "and now... after more than 25 years in the making... and unmaking..." at the start of the film.
- VerbindungenFeatured in WatchMojo: Top 10 Movies That Took FOREVER to Make! (2016)
- SoundtracksTarde Azul de Abril
Written by Tessy Díez (as Tessy Díez Martín) and Roque Baños
Performed by Carmen Linares
Vocals Roberto Lorente
Guitar José Luis Montón
Guitar Jesús Gómez
Percussion David Mayoral
Recorded at Meliam Music Studios of Madrid
Sound Engineer and Mixer Nicolás Almagro
Ausgewählte Rezension
Gilliam's passion project sums up much of his filmography: it conveys almost all of the director's rs recurring tropes, themes and elements. It isn't an easy-to-enjoy film (mostly due to Gilliam's style), nonetheless an interesting film to watch, if not for else, because of its cursed fame.
Don Quixote is mainly about human madness, a theme Gilliam also explored in 'The Fisher King' and in 'Twelve Monkeys', two films from the time when the director started developing this movie. As for visuals, style, and the overwhelming sense of chaos that the third act conveys, it reminds of 'The Brothers Grimm' and more in particular of 'The Imaginarium of Doctor Parnassus', (coincidentally two films that also had, on lower scale, a troubled production). 'The Zero Theorem' and 'Fear and Loathing in Las Vegas' are the only Gilliam films I found to be devoid of any direct connection with Don Quixote.
Adam Driver and Jonathan Pryce pull off memorable performances. I was pretty sure about Pryce succeeding, but didn't expect Driver to be this good, especially towards the end.
Frankly, I think this film was a bit underrated. It's true that Gilliam's post-'Fear and Loathing in Las Vegas' generally had little critical acclaim, but I personally couldn't find anything to complain about, or better, I couldn't find anything arguable that isn't a recurring element in Gilliam's cinema: a chaotic third act, a bittersweet ending, and so on. I enjoyed watching Don Quixote, but I can imagine most of the viewers to find it either uninteresting, dull, chaotic or 'pretentious'.
Don Quixote might be Gilliam's last film. With 'The Zero Theorem' he closed his dystopia Sci-fi trilogy, now he has finally finished the film he probably was most eager to complete, so it seems to me that there are no narratives left that he intends to explore. Let's just hope that I am wrong, and Gilliam will be doing another half-dozen of movies, but otherwise, Don Quixote is the perfect conclusive film for his career. Maybe it's not his best or easier to appreciate, but definitely it is his most representative one.
Don Quixote is mainly about human madness, a theme Gilliam also explored in 'The Fisher King' and in 'Twelve Monkeys', two films from the time when the director started developing this movie. As for visuals, style, and the overwhelming sense of chaos that the third act conveys, it reminds of 'The Brothers Grimm' and more in particular of 'The Imaginarium of Doctor Parnassus', (coincidentally two films that also had, on lower scale, a troubled production). 'The Zero Theorem' and 'Fear and Loathing in Las Vegas' are the only Gilliam films I found to be devoid of any direct connection with Don Quixote.
Adam Driver and Jonathan Pryce pull off memorable performances. I was pretty sure about Pryce succeeding, but didn't expect Driver to be this good, especially towards the end.
Frankly, I think this film was a bit underrated. It's true that Gilliam's post-'Fear and Loathing in Las Vegas' generally had little critical acclaim, but I personally couldn't find anything to complain about, or better, I couldn't find anything arguable that isn't a recurring element in Gilliam's cinema: a chaotic third act, a bittersweet ending, and so on. I enjoyed watching Don Quixote, but I can imagine most of the viewers to find it either uninteresting, dull, chaotic or 'pretentious'.
Don Quixote might be Gilliam's last film. With 'The Zero Theorem' he closed his dystopia Sci-fi trilogy, now he has finally finished the film he probably was most eager to complete, so it seems to me that there are no narratives left that he intends to explore. Let's just hope that I am wrong, and Gilliam will be doing another half-dozen of movies, but otherwise, Don Quixote is the perfect conclusive film for his career. Maybe it's not his best or easier to appreciate, but definitely it is his most representative one.
- Come-and-Review
- 2. Okt. 2018
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Чоловік, який убив Дон Кіхота
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 391.963 $
- Weltweiter Bruttoertrag
- 2.433.457 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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