Every once in a while, an animated film will catch my imagination and remind me why I love this medium so much. Nova Seed, which I saw for the first time at the Toronto Animation Arts Festival International in 2016, was such a film. I absolutely loved it and it immediately became one of my all-time favorites.
At this event, unbeknownst to me, Nick DiLiberto, the film's creative overlord, was sitting right next to me in the theater. I found that out right after the screening and told him how impressed I was by his work. We struck a friendship, and since then I have been eagerly awaiting his next movie.
Well, here it is! Empress of Darkness, is finally out and Nick DiLiberto has done it again. This new film certainly lives up to the high standard the filmmaker had set for himself with Nova Seed.
The fantasy/sci-fi "quest for the sword" story is beautifully told in a kinetic style that I found enthralling. Using subtle camera moves and hand held simulation, Diliberto pulls you into his world of ancient castles, sacrificial rituals, alien savagery, stormy landscape and magical artifacts.
The animation might appear simple at first but it has an incredible amount of depth to it. Sometime broad, sometime subtle, but always engaging. I was particularly impressed with the acting of the main protagonist. You can feel his struggle, his terror, his epiphanies, throughout his chaotic journey. DiLiberto knows how to create tension and suspense. I found myself on the edge of my seat more than once, rooting for the hero as he faced constant jeopardy and impossible trials.
DiLiberto's signature art style reverberates over every aspect of the film, from the imaginative character designs to the 80s retro fantasy/sci-fi environments and concepts. DiLiberto is a child of the 80s, and you can see where his inspiration came from. Although his influence might be obvious, DiLiberto realigns all of it through the prism of his brilliant artistic mind. This is visionary filmmaking in its purest form.
I must also mention the superb score by Stephen Verrall which adds drama, energy and emotion. Verrall's soundscape combined with DiLiberto's imagery brought me close to tears a couple of times. It's a great example of visuals and music blending in perfect unison.
All in all, there in NOTHING I don't like about this film. To me, it's a perfect 10! The fact that DiLiberto created this entire animated feature by himself is not only a task worthy of high praise, but an inspiration to all of us in the animation community.
