Direct Contact

2009
18
1 Std. 30 Min.

IMDb-BEWERTUNG

4,2/10

3162

IHRE BEWERTUNG

An ex-U.S. Special Forces operative, who is imprisoned in Russia, can earn his freedom if he can rescue an abducted American woman. But when he secures her release, he realizes the deal was just a ruse, and his new companion has alerted the attention of a ruthless government, paramilitary and underworld organizations -- all of whom want them dead.

trailer wiedergeben1:14

2 Videos

11 Fotos

Action Thriller

Ein amerikanischer Gefangener in einem russischen Gefängnis erhält eine Chance auf Freiheit, wenn er eine entführte Amerikanerin retten kann.Ein amerikanischer Gefangener in einem russischen Gefängnis erhält eine Chance auf Freiheit, wenn er eine entführte Amerikanerin retten kann.Ein amerikanischer Gefangener in einem russischen Gefängnis erhält eine Chance auf Freiheit, wenn er eine entführte Amerikanerin retten kann.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

4,2/10

3162

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Wissenswertes
Released theatrically in United Arab Emirates, Kuwait and China.

Patzer
In a car chase scene, the footage has been obviously sped up, since even the pedestrians are moving at impossibly high speeds.

Verbindungen
Edited from Warhead (1996)

Soundtracks
Pesnya O Tebe
Performed by Marina Verenikina (as Marina V)
Written by Marina Verenikina (as Marina G. Verenikina) & Nicholas M. Baker (as Nick Baker)
Published by Crazy Apples Worldwide

Benutzerrezensionen45

Rezension

Ausgewählte Rezension

5/10

Dolph needs to direct his own stuff

Mike Riggins (Dolph Lundgren), a former U.S. special forces soldier now in a Russian prison, is sprung by a U.S. Embassey official (Michael Pare) with the condition being that Riggins must locate and bring back a kidnapped American girl (Gina May). Naturally, the Government official is all sorts of lying and Dolph's not gonna stand for it. Not to be confused with Lundgren's earlier DIRECT ACTION (2004), this Bulgaria-shot actioner showcases how average a recent Dolph direct-to-video vehicle can be when he is not at the helm. Director Danny Lerner gave the world plenty of Nu Image big monster crap as a producer and his directing credit before this being SHARKS IN VENICE. Ugh. He barely knows how to shoot an action scene and fills the film with odd plot holes that he tries to cover with some quick ADR work. Pare actually looks good for a guy who just turned 50 and his villainous character meets an explosive end (perhaps the film's best moment) during a fiery showdown in an abandoned building. Thankfully, Dolph's next two DTV projects he is handling himself.