Ein idealistischer Mitarbeiter für einen neuen Präsidentschaftskandidaten erhält während seines Einsatzes auf dem Wahlkampfpfad einen Crashkurs über schmutzige Politik.Ein idealistischer Mitarbeiter für einen neuen Präsidentschaftskandidaten erhält während seines Einsatzes auf dem Wahlkampfpfad einen Crashkurs über schmutzige Politik.Ein idealistischer Mitarbeiter für einen neuen Präsidentschaftskandidaten erhält während seines Einsatzes auf dem Wahlkampfpfad einen Crashkurs über schmutzige Politik.
- Für 1 Oscar nominiert
- 9 Gewinne & 36 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesStephen Meyers (Ryan Gosling) says about a slur on his opponent, "I don't care if it's true. I just want to hear him denying it." This is a reference to a statement attributed to Lyndon B. Johnson, who allegedly referred to an opponent as having carnal knowledge of farm animals. When an aide said he couldn't say that because it wasn't true, Johnson replied, "I know but I just want to hear him deny it."
- PatzerStephen asks for campaign petty cash to pay for the abortion, and then adds some of his personal funds and gives the money to Molly. It makes no sense for someone as savvy as Stephen to use campaign petty cash in this situation. He would have been making six figures and could certainly afford to use only his money. He wouldn't use campaign funds and risk leaving a trail.
- Zitate
Stephen Meyers: If you want to be president, you can start a war, you can lie, you can cheat, you can bankrupt the country, but you can't fuck the interns. They'll get you for that.
- Alternative VersionenDespite the fact that much of the movie was filmed in Ohio, the credits of the theatrical release only say "Filmed on location in Michigan". This was corrected for the home video releases, which read "Filmed in the state of Michigan and the state of Ohio".
- VerbindungenFeatured in Breakfast: Folge vom 1. September 2011 (2011)
- SoundtracksWe'll Meet Again
Written by Ross Parker and Hugh Charles (as Charles Hughes)
Performed by Robert Mervak
Ausgewählte Rezension
You came here from the trailers and the clever poster campaign? Or maybe you came here because you love Clooney and the idea of him doing a political film appeals to you because you agree with much of what he puts his name behind? Or maybe you just decided to watch on a whim? Well for me it was the first two that put it in my mind but the third that saw me pick this from the queue recently. The publicity leave you in little doubt that this is a smart political movie while the names involved all point to something that is worth your time, expensive and very professionally put together. In terms of these latter qualities the film does deliver but it is just a shame that it is not as good as it looks in regards the former.
Let's deal with the superficial first. The film looks great and Clooney deserves credit for the job he has done here as it has a real sheen to it with really well designed shots and a real richness to the look (credit to the cinematographer of course). On top of this the score is just right – a little generic in its tone perhaps but it works and fits the film well. Naturally the cast features a collection of names and faces for whom quality is the norm and generally the film looks and feels like it is a really good product. The only place where it falls down is that it isn't quite as smart as it thinks it is. The story is fairly straightforward and the "message" (if that is the word) is equally simple; this puts a lot of pressure on the lead character of Meyers to be engaging and thrilling in his journey into the murky compromises and twists of politics – and this is the problem, it doesn't come over that way.
The solid plot holds the attention and the sleek presentation feels like velvet throughout but the real meat of the story here needs to come through Meyers and sadly the material just doesn't make this happen. In terms of narrative he has it, but in terms of heart and soul of the man, it is lacking and as a result the film is lacking. It shows in Gosling's performance; he is a good presence, easy to look at and follow but he doesn't have enough within him to lift the film. I watched A Single Man the other day, in which Colin Firth delivered a great and nuanced performance that carried that entire film – this needed Gosling to do that, but he didn't and/or couldn't with what he was given. Clooney is good in an easier role as are Hoffman, Giamatti, Tomei, Wright and others but they are the dressing around Gosling's character and as good as they look, they cannot hide the fact that the centrepiece just isn't as good as the trimmings suggest.
It isn't a bad film, indeed I quite enjoyed it as it went along, but it is a lot less satisfying than it looks like it will be. Really professional and polished but the heart of the message doesn't come out and the central character doesn't deliver as they should. Solid, but neither as sharp or as smart as it thinks it is or as it should have been.
Let's deal with the superficial first. The film looks great and Clooney deserves credit for the job he has done here as it has a real sheen to it with really well designed shots and a real richness to the look (credit to the cinematographer of course). On top of this the score is just right – a little generic in its tone perhaps but it works and fits the film well. Naturally the cast features a collection of names and faces for whom quality is the norm and generally the film looks and feels like it is a really good product. The only place where it falls down is that it isn't quite as smart as it thinks it is. The story is fairly straightforward and the "message" (if that is the word) is equally simple; this puts a lot of pressure on the lead character of Meyers to be engaging and thrilling in his journey into the murky compromises and twists of politics – and this is the problem, it doesn't come over that way.
The solid plot holds the attention and the sleek presentation feels like velvet throughout but the real meat of the story here needs to come through Meyers and sadly the material just doesn't make this happen. In terms of narrative he has it, but in terms of heart and soul of the man, it is lacking and as a result the film is lacking. It shows in Gosling's performance; he is a good presence, easy to look at and follow but he doesn't have enough within him to lift the film. I watched A Single Man the other day, in which Colin Firth delivered a great and nuanced performance that carried that entire film – this needed Gosling to do that, but he didn't and/or couldn't with what he was given. Clooney is good in an easier role as are Hoffman, Giamatti, Tomei, Wright and others but they are the dressing around Gosling's character and as good as they look, they cannot hide the fact that the centrepiece just isn't as good as the trimmings suggest.
It isn't a bad film, indeed I quite enjoyed it as it went along, but it is a lot less satisfying than it looks like it will be. Really professional and polished but the heart of the message doesn't come out and the central character doesn't deliver as they should. Solid, but neither as sharp or as smart as it thinks it is or as it should have been.
- bob the moo
- 24. Apr. 2012
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Die Iden des März
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 40.962.534 $
- Eröffnungswochenende in den USA und in Kanada
- 10.470.143 $
- 9. Okt. 2011
- Weltweiter Bruttoertrag
- 76.338.111 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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