Ein querschnittgelähmter US-Marinesoldat wird auf eine ganz besondere Mission zum Mond Pandora geschickt, auf der er hin- und hergerissen ist, zwischen striktem Befehlsgehorsam und dem Wunsc... Alles lesenEin querschnittgelähmter US-Marinesoldat wird auf eine ganz besondere Mission zum Mond Pandora geschickt, auf der er hin- und hergerissen ist, zwischen striktem Befehlsgehorsam und dem Wunsch, die Welt zu retten, die seine neue Heimat ist.Ein querschnittgelähmter US-Marinesoldat wird auf eine ganz besondere Mission zum Mond Pandora geschickt, auf der er hin- und hergerissen ist, zwischen striktem Befehlsgehorsam und dem Wunsch, die Welt zu retten, die seine neue Heimat ist.
- 3 Oscars gewonnen
- 91 Gewinne & 131 Nominierungen insgesamt
Zoe Saldana
- Neytiri
- (as Zoë Saldana)
CCH Pounder
- Mo'at
- (as Carol Christine Hilaria Pounder)
James Patrick Pitt
- Shuttle Pilot
- (as James Pitt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe Na'vi language was created entirely from scratch by linguist Dr. Paul R. Frommer. James Cameron hired him to construct a language that would be easily enunciable for actors to pronounce but would not resemble any human language. Frommer created about 1,000 words. Cameron requested Dr Frommer that the Na'vi language must be entirely new, as it's supposed to be from another planet, and that it should sound "nice" to the audience. Cameron didn't want any additional editing done to their voices and wanted them to sound authentic and not unnatural. Equipped with a vast knowledge of linguistics, Dr Frommer understood what kinds of sounds the Na'vi language would or wouldn't have. Just like "j" and "r" don't exist in Korean, in English, the 'h' sound is unaspirated. In a similar vein, Frommer's conception of the new language totally avoided the sounds of "ch", "th", and "sh". Additionally, Frommer had to decide on the language's syntax -- or rules regarding word order. He came up with his own set of constraints and words to be used in the language of Pandora. The tongue took inspiration from the natural languages of the world to create a totally different spoken form.
- PatzerWhen Jake's late brother, Tom, is uncovered, he's played by Sam Worthington. In the next shot of Tom being covered again it's clearly someone else.
- Zitate
Jake Sully: Neytiri calls me skxawng. It means "moron."
- Crazy CreditsThere are no opening credits of any kind, outside of the 20th Century Fox fanfare. The title of the film doesn't appear on screen until the end of the movie. For the 2022 re-release, the 20th Century Fox logo was swapped out for a 20th Century Studios logo for consistency with the second film.
- Alternative VersionenAvatar (Special Edition) - 14 additions from the theatrical cut
- Herd: As they fly over Pandora in Trudy's gunship, Jake, Grace and Norm get a closer look at some of Pandora's creatures.
- The Schoolhouse: Entering an abandoned schoolhouse in the jungle with Grace and Norm to retrieve supplies, Jake makes a grim discovery.
- Purple Moss: Jake follows Neytiri after his rescue, and delights in the bioluminescent moss that glows beneath his feet with every step. I Don't Even Know Your Name: Newly tasked with teaching Jake the Na'vi ways, Neytiri brings him to dinner with the entire clan.
- What Does Hold Them Up?: The Avatar team lands at their new base camp in the Hallelujah Mountains, and Jake and Norm marvel at the floating mountains.
- Extended Montage: Jake learns the ways of the Pandoran forest under Neytiri's tutelage, and the gulf between his two worlds grows ever wider.
- Neytiri's Flyby: As Tsu'tey, Jake and two other young hunters travel across suspended vines to dizzying heights, Neytiri sails past on her banshee.
- Sturmbeest Hunt: Omaticayan hunters on direhorses attack a massive herd of sturmbeests, while Jake takes aim from atop his banshee.
- Extended Love Scene: Jake and Neytiri confess their feelings for one another and bond together for life under the Tree of Voices in this extended scene.
- Drums of War: The morning after the military's attack on the Tree of Voices, Parker and Quaritch get some bad news from the reconnaissance team.
- Tsu'tey's Fall: In the RDA assault, Tsu'tey fights fiercely after boarding the Valkyrie shuttle. But the soldiers counter with a hail of bullets.
- Strumbeest Attack: Sturmbeests charge to the rescue when Neytiri is cornered by RDA soldiers in AMP suits.
- Extended Thanator Fight: Neytiri and her fearsome thanator battle Colonel Quaritch in his AMP suit in this extended sequence.
- The Last Shadow: When Neytiri and Jake find Tsu'tey mortally wounded, he passes leadership of the Omaticaya to Jake, with one last request of him.
- VerbindungenEdited into Bones: Die Knochenjägerin: The Gamer in the Grease (2009)
- SoundtracksI See You (Theme from Avatar)
Performed by Leona Lewis
Music by James Horner and Simon Franglen
Lyrics by Simon Franglen, Kuk Harrell, and James Horner
Produced by Simon Franglen and James Horner
Leona Lewis performs courtesy of Syco Music
Ausgewählte Rezension
Although I was not too bothered about seeing Avatar as a film, I felt it was a bit foolish to let this milestone of cinema go past me – particularly when the thing it is hyped for are the effects and being the first "big" film to utilise 3D technology to this degree. It just seemed that watching it on my TV in about 9 months on DVD with a basic stereo system would be missing the point. Unsurprisingly I was right because Avatar is technically a brilliant film that deserves to sweep the Oscars in terms of awards for visual effects and other such categories.
If we ignore the 3D for a minute, the actual effects look great and I imagine that it will still be impressive in 2D. The landscapes and world of Pandora are imaginative (ironic since how dumb the name of it is) and very vividly created to the point where you forget that they are effects when you step back from them. Likewise it is so easy to forget that the Na'vi are not actors in quite brilliant outfits and makeup because they look so real and move so naturally – it is a million miles from the films such as Spiderman or Indy 4 where you can see where the real person ends and the jumping/swinging special effect begin. There were points in the film where I found myself wondering how on earth they managed to get a particular shot and where the camera was, only for my brain to kick in a second later to remind me that what I'm seeing is entirely virtual. OK the fantastical visual aspects are clearly creations but I was startled by how accepting of it all was and, in 2D I thought that the effects were pretty seamless.
In 3D it doesn't quite hit the same mark for me. The "look it's in 3D" shots are not as obvious as some of the other films (where stuff comes out of the screen for no reason) but it is still a little distracting when the 3D forces your focus or has stuff where it doesn't aid the scene. Of course the world of Pandora looks great with things moving around in front of you and the final battle sequences are great – the money is all there to be seen. Thing is, the reason I was able to think about "how did they do that shot" while watching the film is because the technical aspects of the film is really all there is to engage with. The plot is basic and obvious – others have talked at length about the rights and wrongs of a story where the white man comes to the aid of the indigenous people, so I'll not add to that debate. The problem for me is simpler than that, it is simply that the plot is weak and the script is just as weak. My girlfriend laughed out loud when the name of the mineral on Pandora was named as "Unobtainium" and there were plenty of things like this. The dialogue between the characters is full of needless plot exposition and thus doesn't ring true. Of course all this is helped by the action and the effects but the narrative and writing weaknesses are all I can think of when I have to listen to people tell me how Avatar is the best film ever.
The cast manage to do solid jobs considering how easy it is for them to get lost in the effects (see the modern Star Wars films to see this happen). Worthington is stuck with some awful dialogue but he is a good presence even in his Avatar. Saldana's performance is good, again despite some of her expressions and dialogue. Weaver is "so-so", Moore is pointless, Ribisi is miscast in a character that is so clichéd that it needed a decent casting to make it be more than it was. I liked Lang a lot and his OTT badass character worked well. Rodriguez seems like she is there because someone important likes her and her character doesn't add a terrible lot. Voice work from Studi, Pounder and others is good.
Overall Avatar deserves to be seen for its technical importance and how impressive it is but the degree of praise for it needs to be put in context by considering how it plays as more than just a special effects milestone. In these terms it is not as good due to a poor plot and script that hurts the actors more than the effects do by handing them some awful dialogue. That it works is testament to how impressive the effects are but there is not a terrible lot to gush about beyond these.
If we ignore the 3D for a minute, the actual effects look great and I imagine that it will still be impressive in 2D. The landscapes and world of Pandora are imaginative (ironic since how dumb the name of it is) and very vividly created to the point where you forget that they are effects when you step back from them. Likewise it is so easy to forget that the Na'vi are not actors in quite brilliant outfits and makeup because they look so real and move so naturally – it is a million miles from the films such as Spiderman or Indy 4 where you can see where the real person ends and the jumping/swinging special effect begin. There were points in the film where I found myself wondering how on earth they managed to get a particular shot and where the camera was, only for my brain to kick in a second later to remind me that what I'm seeing is entirely virtual. OK the fantastical visual aspects are clearly creations but I was startled by how accepting of it all was and, in 2D I thought that the effects were pretty seamless.
In 3D it doesn't quite hit the same mark for me. The "look it's in 3D" shots are not as obvious as some of the other films (where stuff comes out of the screen for no reason) but it is still a little distracting when the 3D forces your focus or has stuff where it doesn't aid the scene. Of course the world of Pandora looks great with things moving around in front of you and the final battle sequences are great – the money is all there to be seen. Thing is, the reason I was able to think about "how did they do that shot" while watching the film is because the technical aspects of the film is really all there is to engage with. The plot is basic and obvious – others have talked at length about the rights and wrongs of a story where the white man comes to the aid of the indigenous people, so I'll not add to that debate. The problem for me is simpler than that, it is simply that the plot is weak and the script is just as weak. My girlfriend laughed out loud when the name of the mineral on Pandora was named as "Unobtainium" and there were plenty of things like this. The dialogue between the characters is full of needless plot exposition and thus doesn't ring true. Of course all this is helped by the action and the effects but the narrative and writing weaknesses are all I can think of when I have to listen to people tell me how Avatar is the best film ever.
The cast manage to do solid jobs considering how easy it is for them to get lost in the effects (see the modern Star Wars films to see this happen). Worthington is stuck with some awful dialogue but he is a good presence even in his Avatar. Saldana's performance is good, again despite some of her expressions and dialogue. Weaver is "so-so", Moore is pointless, Ribisi is miscast in a character that is so clichéd that it needed a decent casting to make it be more than it was. I liked Lang a lot and his OTT badass character worked well. Rodriguez seems like she is there because someone important likes her and her character doesn't add a terrible lot. Voice work from Studi, Pounder and others is good.
Overall Avatar deserves to be seen for its technical importance and how impressive it is but the degree of praise for it needs to be put in context by considering how it plays as more than just a special effects milestone. In these terms it is not as good due to a poor plot and script that hurts the actors more than the effects do by handing them some awful dialogue. That it works is testament to how impressive the effects are but there is not a terrible lot to gush about beyond these.
- bob the moo
- 28. Feb. 2010
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Avatar
- Drehorte
- Kaua'i, Hawaii, USA(rain forest)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 237.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 785.221.649 $
- Eröffnungswochenende in den USA und in Kanada
- 77.025.481 $
- 20. Dez. 2009
- Weltweiter Bruttoertrag
- 2.923.706.026 $
- Laufzeit2 Stunden 42 Minuten
- Farbe
- Sound-Mix
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