RATHER THAN BEING classified as a cartoon (which it obviously is), this very brief 3 minutes of animated drawings could well be called a sort of Soundie. Although the term is not widely known today, Soundies were filmed versions of popular song forms.
BEING PRODUVED IN the 16 mm format and lasting about the length of a single recording (approximately 3 minutes in length), their venue was in that of specially equipped juke boxes that were equipped to show the short and the sound track for a nickel or a dime a play.
WELL ALL OF the above qualifications can be and are those of this FROSTY THE SNOWMAN b & w cartoon. But of course, rather than being played on a juke box in some gin mill, FROSTY was ,made for and thrived on Television; where he continues to this very day.
THE STYLE OF artwork in both the character design and the backgrounds is quite familiar to those who were around when the animated short was given a new direction in 1943 with the emergence of the United Productions of America or UPA for short and one prefers anagrams. UPA pioneered the stylized look of scenery and character' positing that Disney-style realism was not necessary for successful. Former Disney artist, John Hubley, was a principal partner in the formation of this studio..
EARLY SUCCESSES FROM this company include GERALD Mc BOING-BOING and the MISTER MAGOO theatrical series. They didn't do much in the way of television until around 1960 with their entries of MR. MAGOO TV Series and the DICK TRACY Show (featuring the voice of Mercury Theatre veteran Everett Sloan!) FROSTY THE SNOWMAN appears to have been their first venture into the small screen.
AS WE HAVE previously stated, FROSTY is short and to the point. It is not constructed in various vignettes or gag scenes. It quite possibly is the best cartoon of its genre, pound for pound or foot for foot (of film that is, Schultz!)
