Ein junges Mädchen aus einem Land namens Andalasia, das bereit ist, verheiratet zu werden, wird von einer bösen Königin nach New York City geschickt, wo sie sich in einen Anwalt verliebt.Ein junges Mädchen aus einem Land namens Andalasia, das bereit ist, verheiratet zu werden, wird von einer bösen Königin nach New York City geschickt, wo sie sich in einen Anwalt verliebt.Ein junges Mädchen aus einem Land namens Andalasia, das bereit ist, verheiratet zu werden, wird von einer bösen Königin nach New York City geschickt, wo sie sich in einen Anwalt verliebt.
- Für 3 Oscars nominiert
- 12 Gewinne & 51 Nominierungen insgesamt
Julie Andrews
- The Narrator
- (Synchronisation)
Jeff Bennett
- Pip in Andalasia
- (Synchronisation)
Kevin Lima
- Pip in New York
- (Synchronisation)
Emma Rose Lima
- Bluebird
- (Synchronisation)
- …
Teala Dunn
- Bunny
- (Synchronisation)
Fred Tatasciore
- Troll
- (Synchronisation)
Lizzy Mathis
- Tess
- (as Elizabeth Mathis)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen Edward is on top of the bus, the people riding on tour buses next to him laughing and pointing at him weren't extras, but real tourists.
- PatzerRobert's secretary Sam admits she can't find the place that Giselle comes from - Andalusia, Andalasia, whatever. Although she's called every travel agent and every airline, she doesn't even know if it's a country or a city. Weirdly, it seems that no travel agent or airline has informed Sam that Andalusia (with its beautiful and historic capital Seville) is a large territory of sunny southern Spain, making this a major European tourist destination.
- Zitate
Prince Edward: Thank you for taking care of my bride, peasants.
- Crazy CreditsInstead of fading out on Cinderella's castle as the Walt Disney Pictures logo usually does, it instead zooms in onto a window of the tallest tower of the castle where the book of "Enchanted" is kept.
- VerbindungenEdited into The Nostalgia Critic: X-Men (2019)
- SoundtracksTrue Love's Kiss
Music by Alan Menken
Lyrics by Stephen Schwartz
Produced by Alan Menken and Stephen Schwartz
Performed by Amy Adams and James Marsden
Ausgewählte Rezension
This is really the definition of "light entertainment," and seriously, I am still smiling about it now. After getting in the way of an Evil Queen, a fairytale princess is cast into an alternate reality--the real world as we know it--and must survive there until her rescue by her Prince Charming. Hmm! From the trailer I saw, my guess was that "Enchanted" was a one-joke show, a series of gags about how fairytale magic falls on its face in the real world. That Disney has managed to squeeze at least four or five good jokes out of the idea, and mixed in a few sprinkles of profundity on top of that, is something of an achievement. As a romp, it works fairly well, and it delivered quite a lot more than I was expecting.
This is a risky film to make, and Disney gets points for having the guts to unleash this oddity on the holiday season. It's a fun film that isn't afraid to go, occasionally, in weird and startling directions.
The intersection of the two worlds--the world of faith and magic, and the world of disillusionment and hard reality--creates the expected comedic drama at first. Then the two opposing realities begin to influence and change each other in unsettling and stimulating ways that may surprise the audience. The ideas aren't fully developed, but a crucial detail was attended to at the wrap-up that satisfied me--the main characters succeed mainly because they are able to grow beyond their previous conceptions of themselves.
Along the way of telling this story, we get to see a very challenging film production featuring two distinct worlds and their accompanying designs, and the intermingling of these two worlds. It's occasionally heavy on visual effects and animated sequences, but the effects are always story-driven and never gratuitous--a surprising enough thing nowadays that it's worth taking note of. Strong film-making skills, with an old-school sensibility, are at work.
My rating gets an extra point for an audacious, overblown MGM-style singing/dancing sequence, the kind that is rarely seen in theatres nowadays. Go see it!
This is a risky film to make, and Disney gets points for having the guts to unleash this oddity on the holiday season. It's a fun film that isn't afraid to go, occasionally, in weird and startling directions.
The intersection of the two worlds--the world of faith and magic, and the world of disillusionment and hard reality--creates the expected comedic drama at first. Then the two opposing realities begin to influence and change each other in unsettling and stimulating ways that may surprise the audience. The ideas aren't fully developed, but a crucial detail was attended to at the wrap-up that satisfied me--the main characters succeed mainly because they are able to grow beyond their previous conceptions of themselves.
Along the way of telling this story, we get to see a very challenging film production featuring two distinct worlds and their accompanying designs, and the intermingling of these two worlds. It's occasionally heavy on visual effects and animated sequences, but the effects are always story-driven and never gratuitous--a surprising enough thing nowadays that it's worth taking note of. Strong film-making skills, with an old-school sensibility, are at work.
My rating gets an extra point for an audacious, overblown MGM-style singing/dancing sequence, the kind that is rarely seen in theatres nowadays. Go see it!
- roddmatsui
- 21. Nov. 2007
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Encantada
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 85.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 127.807.262 $
- Eröffnungswochenende in den USA und in Kanada
- 34.440.317 $
- 25. Nov. 2007
- Weltweiter Bruttoertrag
- 340.487.869 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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