Babel

2006
16
2 Std. 23 Min.

IMDb-BEWERTUNG

7,5/10

321.041

IHRE BEWERTUNG

BELIEBTHEIT

2.863

trailer wiedergeben2:32

14 Videos

99+ Fotos

Epic Drama

Die Tragödie trifft ein Ehepaar im Urlaub in der marokkanischen Wüste und berührt eine ineinandergreifende Geschichte mit vier verschiedenen Familien.Die Tragödie trifft ein Ehepaar im Urlaub in der marokkanischen Wüste und berührt eine ineinandergreifende Geschichte mit vier verschiedenen Familien.Die Tragödie trifft ein Ehepaar im Urlaub in der marokkanischen Wüste und berührt eine ineinandergreifende Geschichte mit vier verschiedenen Familien.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,5/10

321.041

IHRE BEWERTUNG

BELIEBTHEIT

2.863

Siehe Produktionsinformationen bei IMDbPro

1 Oscar gewonnen
- 45 Gewinne & 137 Nominierungen insgesamt

Wissenswertes
The scene where Chieko (Rinko Kikuchi) and her father are in the car together was shot without filming permission from the city due to slow Japanese bureaucratic procedures. The crew created "man-made" busy traffic, and began shooting the scene. Later the police started chasing them while still shooting the scene.

Patzer
After the wedding, Amelia, her nephew and the Jones children use the Tecate border crossing to reenter the USA. After fleeing, we are shown a sandy, wide desert where they wander. Actually, the Tecate border crossing is in the mountains, there is no such desert within a reasonable distance on the USA side. What is shown looks like an Arizona border crossing.

Zitate
Mike Jones: My mom said Mexico is dangerous.
Santiago: [in Spanish] Yes, it's full of Mexicans.

Verbindungen
Featured in Siskel & Ebert & the Movies: The Prestige/Flicka/Marie Antoinette/Flags of Our Fathers/A Guide to Recognizing Your Saints (2006)

Soundtracks
Para Que Regreses
El Chapo
Gabriel Ramirez
Maximo Aguirre Music Publishing, Inc.
D Disa Latin Music, S. de R.L. de C.V

Benutzerrezensionen1K

Rezension

Ausgewählte Rezension

9/10

A Bit Of Teaching, A Lot Of Preaching, Oodles of Talent

I loved "Amores Perros" It was revolutionary in so many ways and smelled like the real thing even if I couldn't quite put my finger as to what the real thing really was. "21 Grams" had gigantic intentions and superb performances but didn't feel quite revolutionary because we had kind of seen it before - and better - in "Amores Perros". Now "Babel" and, my goodness, the first thing that comes to mind is, what an extraordinary filmmaker Inarritu really is. I suspect that his universe, even if it feels infinite, it is framed - beautifully so - between the walls of biblical references. His methods may be way ahead of the times but the roots are as ancestral as fire itself. I'm not sure where I want to go with all this but the question is, Inarritu is taking me places and that's what I long for in a filmmaker. He's not taking any of us for granted and I'm very grateful for that. His movies are experiences and I for one can't wait for the next one.