IMDb-BEWERTUNG
5,2/10
1303
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuLight-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.
- Auszeichnungen
- 1 Nominierung insgesamt
Agnès Regolo
- La mère de Coralie
- (as Agnès Régolo)
Fabien Aïssa Busetta
- Un visiteur de la galerie d'art
- (as Aïssa Busetta)
Handlung
WUSSTEST DU SCHON:
- WissenswertesA remake of Boudu - Aus den Wassern gerettet (1932). That film has also been remade as Zoff in Beverly Hills (1986), with Nick Nolte in the Boudu roles. Nolte also appeared in Das Bankentrio (1989), a remake of Die Flüchtigen (1986),. Nolte took over Depardieu's role in that film as well.
- VerbindungenFeatured in Gérard Jugnot - artisan réalisateur (2013)
- SoundtracksL'Enlèvement au sérail
Composed by Wolfgang Amadeus Mozart
Performed by the Wiener Philharmoniker (as Vienna Philharmonic Orchestra), conducted by Georg Solti
Decca Records 1987
With kind permission of Universal Music Projets Spéciaux
Ausgewählte Rezension
This is a remake of Jean Renoir's Boudu Saved From Drowning (1932), which Paul Mazursky remade in Down and Out in Beverly Hills (1986).
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Tenemos un problema gordo
- Drehorte
- Environs d'Aix-en-Provence, Bouches-du-Rhône, Frankreich(village house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 8.568.040 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Boudu - Ein liebenswerter Schnorrer (2005) officially released in Canada in English?
Antwort