IMDb-BEWERTUNG
7,0/10
39.561
IHRE BEWERTUNG
Kham muss nach Australien gehen, um seinen gestohlenen Elefanten zurückzuholen. Mit Hilfe eines Detektivs muss Kham es mit einer Bande aufnehmen, die von einer bösen Frau und ihren zwei tödl... Alles lesenKham muss nach Australien gehen, um seinen gestohlenen Elefanten zurückzuholen. Mit Hilfe eines Detektivs muss Kham es mit einer Bande aufnehmen, die von einer bösen Frau und ihren zwei tödlichen Leibwächtern angeführt wird.Kham muss nach Australien gehen, um seinen gestohlenen Elefanten zurückzuholen. Mit Hilfe eines Detektivs muss Kham es mit einer Bande aufnehmen, die von einer bösen Frau und ihren zwei tödlichen Leibwächtern angeführt wird.
Nathan Jones
- T.K.
- (as a different name)
Xing Jin
- Madame Rose
- (as Jin Xing)
Phetthai Vongkumlao
- Mark
- (as Petchtai Wongkamlao)
Bongkoj Khongmalai
- Pla
- (as Bongkod Khongmalai)
Jon Foo
- Wushu Fighter
- (as Jonathan Patrick Foo)
David Asavanond
- Officer Rick
- (as David Chatchavan Asavanod)
Handlung
WUSSTEST DU SCHON:
- WissenswertesContains one of the longest no-cut fight scenes in movie history: the fight up floor after floor lasted four-plus minutes.
- PatzerIn the long-take brothel fight, Kham knocks a thug's head into a frame and glass shatters. However, the shattering glass is a CG effect and the reflection on the glass is still there. (This is due to an on-set mistake when the prop failed to break)
- Alternative VersionenUS version was cut by the distributor (The Weinstein Company) from 109 minutes to 81 minutes to 'tighten up' the film (which is frequently done with martial arts films owned by them). Additionally it has a new score by RZA.
- SoundtracksBaby
(Uncredited)
Written by Michael Baiardi and Maurice
Published by Soundfile Publishing
Performed by Maurice
Courtesy of Soundfile Productions, Inc.
Ausgewählte Rezension
Ong Bak was a fantastic achievement by the young Thai fighter America has come to embrace as Tony Jaa. Fantastic stunts, amazing fight choreography, and an overwhelming sense of brutal martial arts action that has been missing in fight films since Jackie Chan's Rumble in the Bronx. However, the overall success of Ong Bak was diminished by the lack of intriguing characters and a fluid story that actually made some sense. Tom Yum Goong starts off on the same foot, but then takes the viewer in an entirely different direction
an example of one of the most explosive and entertaining martial arts movies of ALL TIME.
To go into intricate detail about the plot outlines of TYG will do you no good, it will not make you want to see this movie. What makes me so passionate about Tony Jaa and his visual appeal is his overall dynamic nature in the fight scenes. As told in the plot outline, his elephants get stolen, and he must fight to get them back and fighting is what he does like no one else I have ever seen. It doesn't matter how many opponents appear before Tony, he takes them all in stride, and excels in dramatic fashion, either by his flying acrobatic kicks or his powerful breathtaking punches. But what truly makes this film unique is Tony's ability to embrace a new type of Muay Thai made especially for the movie: Muay Kotchasan.
Although this may not make much sense to you or interest you, trust me, when you view this film and see Muay Kotchasan put into action, you will witness something never before seen on film. Tony's moves are so brutal at times, you can't help but grimace and wonder how the stunt men could take such punishment. He breaks elbows, rips quadriceps, destroys ligaments, cracks vertebra I could go on, but the movie pretty much speaks for itself. But, if I had to choose the most exciting part of TYG, it has to be Tony's second bout with Nathan Jones. Learning from his mistakes in the first fight, Tony's adapts his fighting style to his smaller frame, and uses Nathan's size against him in a chilling display of David vs. Goliath it is quite a sight to behold.
Overall, Tom Yum Goong is an awesome spectacle of Tony Jaa's fighting ability, and if you truly enjoyed Ong Bak, then be ready to be blown away by something far better.
To go into intricate detail about the plot outlines of TYG will do you no good, it will not make you want to see this movie. What makes me so passionate about Tony Jaa and his visual appeal is his overall dynamic nature in the fight scenes. As told in the plot outline, his elephants get stolen, and he must fight to get them back and fighting is what he does like no one else I have ever seen. It doesn't matter how many opponents appear before Tony, he takes them all in stride, and excels in dramatic fashion, either by his flying acrobatic kicks or his powerful breathtaking punches. But what truly makes this film unique is Tony's ability to embrace a new type of Muay Thai made especially for the movie: Muay Kotchasan.
Although this may not make much sense to you or interest you, trust me, when you view this film and see Muay Kotchasan put into action, you will witness something never before seen on film. Tony's moves are so brutal at times, you can't help but grimace and wonder how the stunt men could take such punishment. He breaks elbows, rips quadriceps, destroys ligaments, cracks vertebra I could go on, but the movie pretty much speaks for itself. But, if I had to choose the most exciting part of TYG, it has to be Tony's second bout with Nathan Jones. Learning from his mistakes in the first fight, Tony's adapts his fighting style to his smaller frame, and uses Nathan's size against him in a chilling display of David vs. Goliath it is quite a sight to behold.
Overall, Tom Yum Goong is an awesome spectacle of Tony Jaa's fighting ability, and if you truly enjoyed Ong Bak, then be ready to be blown away by something far better.
- blaxican006
- 3. Jan. 2006
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Protector
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000.000 ฿ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.044.087 $
- Eröffnungswochenende in den USA und in Kanada
- 5.034.180 $
- 10. Sept. 2006
- Weltweiter Bruttoertrag
- 27.165.581 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Canadian French language plot outline for Revenge of the Warrior (2005)?
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