Eine Frau, die weiß, was sie will, arbeitet mit einem abgebrühten Boxtrainer daran, Profiboxerin zu werden.Eine Frau, die weiß, was sie will, arbeitet mit einem abgebrühten Boxtrainer daran, Profiboxerin zu werden.Eine Frau, die weiß, was sie will, arbeitet mit einem abgebrühten Boxtrainer daran, Profiboxerin zu werden.
- 4 Oscars gewonnen
- 68 Gewinne & 86 Nominierungen insgesamt
- Father Horvak
- (as Brían O'Byrne)
- Cut Man
- (as Joe d'Angerio)
Best Picture Winners by Year
Best Picture Winners by Year
Handlung
WUSSTEST DU SCHON:
- WissenswertesBoxing and kickboxing champion Lucia Rijker, who also played the part of Billie "The Blue Bear" in this movie, was Hilary Swank's boxing coach.
- PatzerThe back of Maggie's robe has the phrase "Mo Cuishle". However the correct spelling in Irish Gaeilge is "Mo Chuisle".
- Zitate
Frankie Dunn: It wasn't your fault. I was wrong to say that.
Eddie Scrap-Iron Dupris: You damn right. I found you a fighter. You made her the best fighter she could be.
Frankie Dunn: I killed her.
Eddie Scrap-Iron Dupris: Don't say that. Maggie walked through that door with nothing buts guts. No chance in the world of being what she needed to be. It was because of you that she was fighting the championship of the world. You did that. People die everyday, Frankie - mopping floors, washing dishes and you know what their last thought is? I never got my shot. Because of you Maggie got her shot. If she dies today you know what her last thought would be? I think I did all right.
- Crazy CreditsThe Warner Brothers logo is the classic shield version, shown in a color palette (mainly black and white, with a dark green tint) matching the "feel" of the movie, and is static instead of the modern 3D animated sequence.
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Best Films of 2004 (2005)
- SoundtracksBlue Morgan
Composed by Clint Eastwood
Eastwood plays Frankie Dunn, an elder boxing coach, manager, and expert 'cut man' who runs a gym and is learning Gaelic on the side. He's a nice enough guy, but he can't seem to shake the guilt from ghosts in his past (some we're in on, some not quite). His guilt/shame is a constant just beneath the surface and gives him something of a cold exterior, sometimes frozen. Yet, as played by Eastwood, you know Dunn's aware of his own plight, but just doesn't know how to melt the ice. Or more importantly, if he's deserving of such a meltdown.
Enter Maggie Fitzgerald (Swank). She's a thirty-something trailer trash woman from southwest Missouri. An unlikely hero for sure. But for my money, Maggie is this generation's Rocky. That may seem an easy, simplistic, and over-reaching comparison, but the parallels are deep, obvious and myriad. Like many people, Maggie's dream (being a professional boxer) is always just out of reach, yet she cannot give it up. She works as a waitress to make ends meet (or at least the ends are almost touching), but spends all her spare time training. Like Dunn, Maggie has her own ghosts haunting her, and through these ghosts they bond tighter than super glue. The heart and work (incalculably huge amounts) that Swank put into becoming Maggie are unnoticeable. It's a silly phrase but it's as if she was born to play this part. It fits like a glove. The real life parallel of her relationship to Eastwood no doubt played a part in her ability to connect with the character's relationship to Dunn. Yet this in no way diminishes her accomplishment. She is brilliant.
Morgan Freeman plays Dunn's right-hand man (Scrape) at the gym, and reprises a role similar to Red from "Shawshank Redemption". He also voices the omniscient narration to the story, a la Red. Like Dunn and Maggie, he's similarly bruised, but somehow less deeply. He's there when both of them need support and helps to bring them together. I can think of nobody acting in film today who can embody kindness and wisdom through friendship and support better than Freeman. He also serves to bring in another Eastwood trademark – 'Banter'. Even when themes are heavy, Eastwood's sense of humor is never entirely absent and he and Freeman have a good time with each other, as did Bacon and Fishburne in "Mystic River". These three characters together create a beautiful and true, albeit small, family unit Eastwood's lifelong themes and 'blurring of lines' are on full display: good vs. evil, right vs. wrong, the role of violence, redemption, guilt/shame over previous acts, even god and death. Never one for easy answers, his version of the truth lies in the shadows, quite literally. Cinematographer Tom Stern crafts characters in shadow, shifting in and out of light. There is a grey area between the light and the dark where something approaching truth lies waiting, and this is where Eastwood takes us, then leaves us there to ponder. "Million Dollar Baby" is a shadow play. As accomplished as "Unforgiven" and "Mystic River", yet even more personal, this film is a triumph of human storytelling. As Bacon's character says in "Mystic River", " and the hits just keep on comin'."
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Golpes del destino
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 100.492.203 $
- Eröffnungswochenende in den USA und in Kanada
- 179.953 $
- 19. Dez. 2004
- Weltweiter Bruttoertrag
- 216.763.646 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1