Zwei Fremde, die in einem Raum aufwachen, ohne sich daran zu erinnern, wie sie dort hingekommen sind, entdecken bald, dass sie Spielfiguren in einem tödlichen Spiel eines berüchtigten Serien... Alles lesenZwei Fremde, die in einem Raum aufwachen, ohne sich daran zu erinnern, wie sie dort hingekommen sind, entdecken bald, dass sie Spielfiguren in einem tödlichen Spiel eines berüchtigten Serienmörders sind.Zwei Fremde, die in einem Raum aufwachen, ohne sich daran zu erinnern, wie sie dort hingekommen sind, entdecken bald, dass sie Spielfiguren in einem tödlichen Spiel eines berüchtigten Serienmörders sind.
- Auszeichnungen
- 9 Gewinne & 10 Nominierungen insgesamt
Alexandra Bokyun Chun
- Carla
- (as Alexandra Chun)
Oren Koules
- Dead Cellmate
- (Nicht genannt)
Hans Raith
- Detective
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn order to make the actors feel what the characters were going through, all of the bathroom scenes were shot in chronological order.
- Patzer(at around 59 mins) After Lawrence and Adam find the box with the cellphone and cigarettes, Lawrence tries to call 911. Three different tones can be heard and he says that the cellphone has been blocked from making calls. However, FCC rules require every telephone that can access the network to be able to dial 911, regardless of any reason that normal service may have been disconnected (including deactivated or blocked phones).
- Crazy CreditsThe opening title ripples as if it was underwater.
- Alternative VersionenThe song "Bite The Hand That Bleeds" by Fear Factory that originally played over the end credits was replaced on the uncut version of the film by an original piece of music by Charlie Clouser entitled "Zepp Overture".
- VerbindungenEdited into Saw 2 (2005)
- SoundtracksYou Make Me Feel So Dead
Performed by Pitbull Daycare
Written by Stephen Ladd Bishop, Charles Todd Conally and Don Van Stavern
Published by Dimension Gate Music (BMI)/FEC Music (ASCAP)
Courtesy of Cleopatra Records
Ausgewählte Rezension
Since "Nattevagten" I have not seen a thriller that has kept me on the edge of my seat as well as "Saw". Right from the beginning this original story sucks you in and doesn't let you go until the very end. Thrillers as gripping as this one have become extremely rare in times like these, where people have seen almost everything and can guess any twist during the first half of the movie. With "Saw" James Wan and Leigh Whannell, the creative heads behind this project, set new standards. Think you're hard-boiled? Think again and watch "Saw", a movie that will creep you out and surprise you beyond your expectations.
"Saw" has been advertised as the new "Se7en" and while both movies are definitely in the same tradition, "Saw" does a much better job at actually being creepy. Jigsaw is the most gruesome killer the cinema has seen in a loooong time. Wan and Whannel really came up with a monster that has no peer. Where many movies drift into ridiculousness trying to establish the villain as an almost superhuman evil being, "Saw" does never get anywhere near that trap. Sure, the cops are depicted way too stupid and the killer is unrealistically smart, outshining each and every opponent with his perfect plans, but hey, "Se7en" and "Silence Of The Lambs" didn't care too much about realism, either, did they?
"Saw" does have some flaws. Those sped-up tracking shots have just been used too many times by now, the structure of the script is weird and jumps from one period of time to another, some characters' lines are a bit clichéd. However, considering that this movie was made in only 18 days by two independent filmmakers with literally no budget at all, it's really inappropriate to be petty about technical subtleties, when Wan and Whannel came up with such an original and stirring movie.
I can't remember the last time I've been surprised by a movie's final twist, but "Saw" has an ending that I didn't see coming at all. This thriller is the most original piece of independent film-making since "Cube". I'm really looking forward to seeing how Wan and Whannell's career develops after this fine sleeper.
"Saw" has been advertised as the new "Se7en" and while both movies are definitely in the same tradition, "Saw" does a much better job at actually being creepy. Jigsaw is the most gruesome killer the cinema has seen in a loooong time. Wan and Whannel really came up with a monster that has no peer. Where many movies drift into ridiculousness trying to establish the villain as an almost superhuman evil being, "Saw" does never get anywhere near that trap. Sure, the cops are depicted way too stupid and the killer is unrealistically smart, outshining each and every opponent with his perfect plans, but hey, "Se7en" and "Silence Of The Lambs" didn't care too much about realism, either, did they?
"Saw" does have some flaws. Those sped-up tracking shots have just been used too many times by now, the structure of the script is weird and jumps from one period of time to another, some characters' lines are a bit clichéd. However, considering that this movie was made in only 18 days by two independent filmmakers with literally no budget at all, it's really inappropriate to be petty about technical subtleties, when Wan and Whannel came up with such an original and stirring movie.
I can't remember the last time I've been surprised by a movie's final twist, but "Saw" has an ending that I didn't see coming at all. This thriller is the most original piece of independent film-making since "Cube". I'm really looking forward to seeing how Wan and Whannell's career develops after this fine sleeper.
- Superunknovvn
- 5. März 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Wessen Blut wird fließen?
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.000.369 $
- Eröffnungswochenende in den USA und in Kanada
- 18.276.468 $
- 31. Okt. 2004
- Weltweiter Bruttoertrag
- 104.004.218 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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