Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.Alexander (Colin Farrell), der König von Mazedonien und einer der größten Armeeführer in der Geschichte der Kriegsführung, erobert einen Großteil der bekannten Welt.
- Auszeichnungen
- 6 Gewinne & 20 Nominierungen insgesamt
- Young Ptolemy
- (as Robert Earley)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe biography of Alexander by Oxford University professor Robin Lane Fox was an original inspiration and source of information for writer and director Oliver Stone. As a historical advisor, Professor Fox didn't get on-screen credit. His price for giving his advice was to be allowed to take a place at the head of what is one of the largest cavalry charges ever filmed. Professor Fox was used to riding around the English countryside, but gladly dressed up as a Macedonean cavalry officer to live his dream of charging for Alexander.
- PatzerPtolemy I is depicted recounting the story of Alexander in 283 B.C. The Lighthouse at Alexandria, seen in the background, was built during the reign of his son Ptolemy II, around 270 B.C.
- Zitate
Old Ptolemy: The truth is never simple and yet it is. The truth is we did kill him. By silence we consented... because we couldn't go on. But by Ares, what did we have to look forward to but to be discarded in the end like Cleitus? After all this time, to give away our wealth to Asian sycophants we despised? Mixing the races? Harmony? Oh, he talked of these things. I never believe in his dream. None of us did. That's the truth of his life. The dreamers exhaust us. They must die before they kill us with their blasted dreams.
- Alternative VersionenThe Director's Cut is 9 minutes shorter than the 175-minute theatrical version. It is a reworked version although seamless to many. 18 minutes were cut and 9 added. Many of the added or extended sequences involve Val Kilmer and Angelina Jolie's characters. The battle of Gaugamela now starts earlier. Taking a cue from classic movie epics, the opening reel now set up the basic themes with greater economy: Alexander's Oedipal relationship with his parents, Olympias' ambitions for her son, the boy's need to surpass his father, and the entirely natural way in which myth/religion is shown as integral to the ancients' behavior. Oliver Stone reworked the third act, too, juxtaposing events in India and Greece. Jolie's Olympias emerges now more as a genuinely pathetic figure in the whole tragedy. Ptolemy's final scene was edited. Stone also slightly reworked Alexander's death scene because of audience feedback, adding 17 seconds to the scene.
- VerbindungenFeatured in Charging for Alexander (2004)
In my opinion, almost everyone misunderstood the relationship between Hephaistion and Alexander. In the modern world, especially in the West, two men are either very close to each other, sleep together, and have sex, or they keep a good comfortable distance from each other and, if they're friendly, might punch each other on the arm. In this film, we see a relationship that is hard for most people today to understand, namely a passionate love relationship between two men in which sex is not very important and possibly even absent.
Aristotle essentially explained the whole film near the beginning when he told the young couple something like the following, as best I can remember it, "When two men lie together in lust, it is over indulgence. But when two men lie together in purity, they can perform wonders." Or something like that. Given what I know of that culture, I am sure that "in purity" means no sex, or at least very little. That's why we never see them kiss. In the film, as in many older films, kissing is a metaphor for sex. Even when Alexander kisses his mother, it refers to the idea of sex. That's why Alexander kisses Bagoas, but not Hephaistion.
Now I'm not sure if the real historical Aristotle would have made that remark. That's not exactly what he says about homosexuality in the Nicomachean Ethics. But the remark is plausible enough since Alexander could easily have heard such an idea during his youth. Plato (before Aristotle) expressed that idea, and Zeno of Citium (after Aristotle) did too. So even if Aristotle never said this to Alexander, it is plausible enough that the idea was in the air and that Alexander heard it from someone or other.
Some have complained that the "homosexuality" (assuming that A's relationship with Heph. should even be called that) was thrown in their faces too much. But it's crucial to the plot. Stone is hypothesizing that Hephaistion was essential for what Alexander did. Further, it's a standard Hollywood convention to juxtapose a love story with some great political, military, or otherwise grand event. There are tons of examples. Titanic, Enemy at the Gates, Gone with the Wind, ... the list could go on forever. It really is homophobic to complain about Stone continually going back to this theme, because he has a perfectly good artistic reason to do it.
A few more details: Alexander's hair. I think that Stone was trying to make Alexander look like Martin Potter in Satyricon -- a nod to Fellini.
Alexander's accent and soft appearance. Another nod to a great director passed on, this time Stanley Kubrick. Farrel really looks a lot like Ryan O'Neil in Barry Lyndon. In fact, he really looks like a Ryan O'Neill / Martin Potter coalescence. I think it's deliberate.
The softness of Alexander's personality. In a lot of scenes it made sense. He was gentle enough to know how to approach Bucephalus and tame him without scaring him. He was open minded enough to adopt a lot of Persian culture and encourage intermarriage, while the other more "he-man" folks around him were less comfortable with the idea.
Yes, if you haven't figured it out by now, I do like the film. People's hatred of the film is hard for me to understand.
- bolender-1
- 4. Dez. 2004
- Permalink
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Alexander Revisited: The Final Cut
- Drehorte
- Udon Rachatani, Thailand(Ubon Ratchathani, Thailand)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 155.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 34.297.191 $
- Eröffnungswochenende in den USA und in Kanada
- 13.687.087 $
- 28. Nov. 2004
- Weltweiter Bruttoertrag
- 167.298.192 $
- Laufzeit2 Stunden 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1