IMDb-BEWERTUNG
6,8/10
16.816
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.A variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.A variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.
- Auszeichnungen
- 9 Gewinne & 12 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesColin Farrell performs "I Fought The Law" over the end credits.
- Zitate
Jerry Lynch: You just don't have the requisite Celtic soul, man.
- Crazy CreditsThere is an extra scene during the credits showing Noeleen and Sam, who have presumably gotten back together. Noeleen is pestering Sam about changing the TV channel, and her nagging manner may give a hint why Sam left her in the first place.
- VerbindungenReferences Die Ritter der Kokosnuß (1975)
- SoundtracksOut of Control
Music and Words by U2
Published by Universal Music Publishing BV
Except Blue Mountain Music Ltd
Mother Music (IRL)
Performed by U2
Produced by Steve Lillywhite
(p) 1980 Island Records Ltd
Courtesy of Universal Music International BV
Ausgewählte Rezension
You may develop a slight case of whiplash while watching "Intermission," but it will be a small enough price to pay for the pleasure of the experience. This is a fascinating film that ingeniously weaves together a myriad of overlapping stories whose common thread is life among the Irish working class.
The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.
Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).
The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.
And you'll barely feel that whiplash.
The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.
Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).
The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.
And you'll barely feel that whiplash.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Intermission - Chaos in Dublin
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 896.993 $
- Eröffnungswochenende in den USA und in Kanada
- 39.936 $
- 21. März 2004
- Weltweiter Bruttoertrag
- 5.175.215 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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