IMDb-BEWERTUNG
8,0/10
149.999
IHRE BEWERTUNG
Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.Der Filmemacher Michael Moore untersucht die Wurzeln der amerikanischen Vorliebe für Waffengewalt.
- 1 Oscar gewonnen
- 39 Gewinne & 13 Nominierungen insgesamt
Salvador Allende
- Self - President of Chile
- (Archivfilmmaterial)
Arthur A. Busch
- Self - County Prosecutor: Flint, Michigan
- (as Arthur Busch)
George Bush
- Self
- (Archivfilmmaterial)
George W. Bush
- Self
- (Archivfilmmaterial)
Bill Clinton
- Self
- (Archivfilmmaterial)
Steve Davis
- Self - Deputy Sheriff
- (Archivfilmmaterial)
Ngo Dinh Diem
- Self - President of South Vietnam
- (Archivfilmmaterial)
Joe Farmer
- Self - Superintendent of Schools
- (Archivfilmmaterial)
Barry Glassner
- Self - Author of 'The Culture of Fear'
- (as Prof. Barry Glassner)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBecause the film didn't fit neatly into any established categories at Cannes, the Jury created a special 55th Anniversary Award just for the film.
- PatzerAs Charlton Heston walks away from Michael Moore in the final interview, the scene cuts repeatedly between Heston (point of view from behind Moore) and Moore (point of view from the stairs directly in front of Moore) holding a photo of the slain Flint, Michigan girl and asking Heston to look at it. When the POV is of Moore holding the photo, there is clearly no cameraman anywhere behind him. The same with the POV of Heston, there is clearly no cameraman anywhere in front of Moore. So the two POVs were not filmed simultaneously as the film implies.
- Zitate
Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?
Marilyn Manson: I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did.
- Crazy CreditsIn the credits, there is a thank-you to Mike's Militia--Athens Branch. This does not exist; during his speaking engagement at Ohio University to promote his book "Stupid White Men", Michael Moore screened two versions of the "History of gun control" animated segment, which featured the same animation but different narration. The audience was asked to vote on which of the two versions should be included. After choosing a version, Moore claimed he would include Athens, Ohio and the audience in the credits, but wasn't sure what name to give credit to. Several suggestions were shouted out and Mike Michigan Militia, Athens, Ohio branch was finally chosen.
- Alternative VersionenIn the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad.
- VerbindungenEdited from Peasants' Paradise (1931)
- SoundtracksTake the Skinheads Bowling
(1985)
Written by Victor Krummenacher, David Lowery, Christopher Molla, and
Jonathan Segel
Performed by Teenage Fanclub
Ausgewählte Rezension
What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.
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Details
- Erscheinungsdatum
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- Benim cici silahım
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Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.576.018 $
- Eröffnungswochenende in den USA und in Kanada
- 209.148 $
- 13. Okt. 2002
- Weltweiter Bruttoertrag
- 58.015.923 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
What was the official certification given to Bowling for Columbine (2002) in Mexico?
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