Während eines heftigen Regensturms in einem trostlosen Motel in Nevada gestrandet, lernen sich zehn Fremde kennen, als ihnen klar wird, dass sie einer nach dem anderen umgebracht werden.Während eines heftigen Regensturms in einem trostlosen Motel in Nevada gestrandet, lernen sich zehn Fremde kennen, als ihnen klar wird, dass sie einer nach dem anderen umgebracht werden.Während eines heftigen Regensturms in einem trostlosen Motel in Nevada gestrandet, lernen sich zehn Fremde kennen, als ihnen klar wird, dass sie einer nach dem anderen umgebracht werden.
- Auszeichnungen
- 1 Gewinn & 11 Nominierungen insgesamt
Rebecca De Mornay
- Caroline Suzanne
- (as Rebecca DeMornay)
Handlung
WUSSTEST DU SCHON:
- Wissenswertes"When I was going up the stairs / I met a man who wasn't there. / He wasn't there again today / I wish, I wish he'd go away." One character claims to have written this poem. It is really a poem titled 'Antigonish' by William Hughes Mearns. This poem was also turned into a popular song, giving it widespread attention.
- PatzerThe prisoner is described as carrying an "Axis IV Dissociative Disorder." In psychiatric diagnosis, psychiatric disorders fall under Axis I, personality disorders and mental retardation fall under Axis II, medical disorders fall under Axis III, a general summary of psychosocial stressors (eg. health problems, money problems, or family problems, and rated as None, Mild, Moderate, or Severe) fall under Axis IV, and the patient's Global Assessment of Function score (GAF: 0 to 100) falls under Axis V. Dissociative Disorder is an Axis I diagnosis.
- Zitate
[first Lines]
Malcolm Rivers: As I was going up the stairs, I met a man who wasn't there. He wasn't there again today. I wish, I wish he'd go away.
- Crazy CreditsThe first few opening credits leave behind a letter to the word "IDENTITY" as they fade away.
- Alternative VersionenThe Extended version is about 1 minute longer than the original Theatrical cut. The altered ending in the Extended cut is also slightly more violent.
- VerbindungenFeatured in Identity of a Thriller (2003)
- SoundtracksWin Music Season 19
from "Wheel of Fortune"
Written and Performed by Steve Kaplan
Courtesy of Columbia TriStar Television, Inc.
Ausgewählte Rezension
At the start of the movie, Dr. Malick is evaluating Malcolm Rivers, who is about to be executed for a series of murders, unless Malick can convince those who need to hear that Rivers was insane.
Then a seemingly unrelated series of events take place. And while we don't see Malick or Rivers again for a while, they are somehow connected with these events too. Exactly how I've never quite figured out.
The one common thread is that all the parties involved (except Malick) are driving through rural Nevada in heavy rain that is causing so much flooding everyone will end up at this one motel. A hooker who wants to grow oranges in Florida, the spoiled actress Carolina Suzanne and her driver Ed, the York family, newlyweds Ginny and Lou, and Rhodes, who is transporting prisoner Robert Maine.
Motel clerk Larry calmly checks everyone in, not exactly upset by all the chaos. But there's no working phone, and one of the potential guests seriously needs emergency help. Ed tries, but there's too much flooding to make it to a hospital and even cell phones don't work.
Ed, a former cop, tries to take charge of the situation, though Rhodes seems to think he should be in charge. And then people start dying. And the prisoner escapes. The newlyweds are in Room 6, and the number falls, making it look like a 9. The main clues to the murders are keys found with the bodies, and the keys seem to be showing up in sequence--10, 9, 8, 7 ...
So who will survive? Who is really behind the murders? And how are Malick and Rivers connected to all this?
I found the early scenes fascinating. Everyone was connected to everyone else, and if one event hadn't happened, none of the others would have. Eventually, I was just plain confused because I didn't know what was going on.
And when the murderer was finally revealed, he or she was not really revealed. I felt like I had heard three different possibilities but not been told which one was the right one. Then again, maybe I was told more information than was needed, and some of it was irrelevant. But I can't believe they would go THIS far ...
There were a lot of good acting performances. I genuinely dislike John McGinley, but he played a totally different character here than what I am used to. He seemed compulsive and somewhat mentally ill but genuinely desired to do the right thing.
Gary Busey was scary and almost funny, not too different from some of his other bad guy characters.
Bret Loehr didn't have much to do early as the little boy who had lost one parent and seemed likely to lose two more. But he was quite good later.
John Cusack carried the movie. He showed frustration but also competence. His character wasn't perfect but he wanted to do the best he could and didn't have patience with those who didn't care about others or couldn't handle the situation.
And Rebecca DeMornay did the demanding celebrity routine quite well.
I'm not going to recommend this for family viewing because some of the bodies are hard to look at.
It's mostly a worthy effort.
Then a seemingly unrelated series of events take place. And while we don't see Malick or Rivers again for a while, they are somehow connected with these events too. Exactly how I've never quite figured out.
The one common thread is that all the parties involved (except Malick) are driving through rural Nevada in heavy rain that is causing so much flooding everyone will end up at this one motel. A hooker who wants to grow oranges in Florida, the spoiled actress Carolina Suzanne and her driver Ed, the York family, newlyweds Ginny and Lou, and Rhodes, who is transporting prisoner Robert Maine.
Motel clerk Larry calmly checks everyone in, not exactly upset by all the chaos. But there's no working phone, and one of the potential guests seriously needs emergency help. Ed tries, but there's too much flooding to make it to a hospital and even cell phones don't work.
Ed, a former cop, tries to take charge of the situation, though Rhodes seems to think he should be in charge. And then people start dying. And the prisoner escapes. The newlyweds are in Room 6, and the number falls, making it look like a 9. The main clues to the murders are keys found with the bodies, and the keys seem to be showing up in sequence--10, 9, 8, 7 ...
So who will survive? Who is really behind the murders? And how are Malick and Rivers connected to all this?
I found the early scenes fascinating. Everyone was connected to everyone else, and if one event hadn't happened, none of the others would have. Eventually, I was just plain confused because I didn't know what was going on.
And when the murderer was finally revealed, he or she was not really revealed. I felt like I had heard three different possibilities but not been told which one was the right one. Then again, maybe I was told more information than was needed, and some of it was irrelevant. But I can't believe they would go THIS far ...
There were a lot of good acting performances. I genuinely dislike John McGinley, but he played a totally different character here than what I am used to. He seemed compulsive and somewhat mentally ill but genuinely desired to do the right thing.
Gary Busey was scary and almost funny, not too different from some of his other bad guy characters.
Bret Loehr didn't have much to do early as the little boy who had lost one parent and seemed likely to lose two more. But he was quite good later.
John Cusack carried the movie. He showed frustration but also competence. His character wasn't perfect but he wanted to do the best he could and didn't have patience with those who didn't care about others or couldn't handle the situation.
And Rebecca DeMornay did the demanding celebrity routine quite well.
I'm not going to recommend this for family viewing because some of the bodies are hard to look at.
It's mostly a worthy effort.
- vchimpanzee
- 28. Juli 2013
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Identidad
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 52.159.536 $
- Eröffnungswochenende in den USA und in Kanada
- 16.225.263 $
- 27. Apr. 2003
- Weltweiter Bruttoertrag
- 90.259.536 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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