Ein freidenkender Kunstprofessor bringt den konservativen Wellesley-Mädchen der 1950er Jahre bei, ihre traditionellen sozialen Rollen in Frage zu stellen.Ein freidenkender Kunstprofessor bringt den konservativen Wellesley-Mädchen der 1950er Jahre bei, ihre traditionellen sozialen Rollen in Frage zu stellen.Ein freidenkender Kunstprofessor bringt den konservativen Wellesley-Mädchen der 1950er Jahre bei, ihre traditionellen sozialen Rollen in Frage zu stellen.
- Auszeichnungen
- 6 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn order to prepare for their roles, the leads were all put through a finishing school two weeks prior to filming. However, in contrast to the film's depiction, Wellesley College was never a finishing school. It was a private women's liberal arts college which emphasized social activism.
- PatzerA scene depicts a teacher of ''poise and elocution'' explaining to Wellesley students how to set and seat a table to further the careers of their future husbands. No such "poise and elocution'' classes were ever given at Wellesley.
- Zitate
Betty Warren: [Narrating] My teacher, Katherine Watson, lived by her own definition, and would not compromise that. Not even for *Wellesley*. I dedicate this, my last editorial, to an extraordinary woman who lived by example and compelled us all to see the world through new eyes. By the time you read this, she'll be sailing to Europe, where I know she'll find new walls to break down and new ideas to replace them with. I've heard her called a quitter for leaving, an aimless wanderer. But not all who wander are aimless, especially not those who seek truth beyond tradition, beyond definition, beyond the image.
- Crazy CreditsThe end credits for the prominent cast and crew are set in front of vintage footage and advertisements showing women in the 1940s and 50s.
- SoundtracksLift Thine Eyes
from "Elijah"
Written by Felix Mendelssohn
Performed by Wellesley College Chamber Singers
Lisa Graham Conductor
Under license from Wellesley College Chamber Singers
Despite these flaws, there is still a lot to recommend it. The film is very well made, with dazzling cinematography and picturesque scenery. And the costumes, hairstyles and makeup were beautiful. The music is lovely, very pleasant and soothing. Making the most of their rather stereotypical characters, the actors acquit themselves well. I admit it, I don't often care for Julia Roberts, but here she makes for a sympathetic lead as the unconventional art lecturer and does it more than adequately. Solidly supporting her as the students are Julia Stiles, Maggie Gyllanhaal and Kirsten Dunst especially. The film is ably directed too, and is emotionally manipulative, not in a bad way though. All in all, it is a very earnest and well made film, but as a drama it doesn't quite convince as much as it should've done. 7/10 Bethany Cox
- TheLittleSongbird
- 10. Dez. 2009
- Permalink
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- La sonrisa de Mona Lisa
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 63.860.942 $
- Eröffnungswochenende in den USA und in Kanada
- 11.528.498 $
- 21. Dez. 2003
- Weltweiter Bruttoertrag
- 141.337.989 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1