IMDb-BEWERTUNG
6,8/10
6530
IHRE BEWERTUNG
James Cameron und Bill Paxton, Regisseur und Schauspieler des Films Titanic von 1997, reisen zur letzten unterseeischen Ruhestätte des unglückseligen Schiffs der Träume.James Cameron und Bill Paxton, Regisseur und Schauspieler des Films Titanic von 1997, reisen zur letzten unterseeischen Ruhestätte des unglückseligen Schiffs der Träume.James Cameron und Bill Paxton, Regisseur und Schauspieler des Films Titanic von 1997, reisen zur letzten unterseeischen Ruhestätte des unglückseligen Schiffs der Träume.
- Auszeichnungen
- 1 Nominierung insgesamt
Lori Johnston
- Self
- (as Dr. Lori Johnston)
John Broadwater
- Self
- (as Dr. John Broadwater)
Charles Pellegrino
- Self
- (as Dr. Charles Pellegrino)
Anatoly M. Sagalevitch
- Self
- (as Dr. Anatoly Sagalevitch)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe two robotic submarines in this film are named Jake and Elwood, a reference to Blues Brothers (1980).
- PatzerThe fourth funnel is shown falling backwards when the ship breaks in two in the sinking simulation. It would do no such thing. It would fall forward like the other funnels. This is also seen in the "final plunge" montage with the photographs of the passengers who perished in the disaster superimposed in front of the footage of the ship sinking from the movie Titanic (1997).
- Zitate
Bill Paxton: The crucial thing about deep-sea photography is lighting.
- Alternative VersionenThe theatrical version was shortened down to 43 minutes running time so that it will fit into the standard screening schedule of the local IMAX theaters, i.e. an IMAX film must not run longer than 45 minutes so that it is possible to start a screening every hour.
- VerbindungenEdited into Titanic al detalle (2013)
Ausgewählte Rezension
Director James Cameron scored, against all odds (and his swarm of nervous auditors) a huge success with "Titanic." Not as artistically strong as several predecessor films about the legendary disaster it rocked the box office boat as new generations of Titanic enthusiasts and curious folk flooded the theaters.
Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."
RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.
Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.
"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.
This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.
This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.
All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!
9/10.
Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."
RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.
Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.
"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.
This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.
This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.
All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!
9/10.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Ghosts of the Abyss
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Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.040.871 $
- Eröffnungswochenende in den USA und in Kanada
- 1.408.474 $
- 13. Apr. 2003
- Weltweiter Bruttoertrag
- 27.570.076 $
- Laufzeit43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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