Ein amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es... Alles lesenEin amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es einen Skandal verursachen und ihn die Wahl kosten könnte.Ein amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es einen Skandal verursachen und ihn die Wahl kosten könnte.
- Auszeichnungen
- 1 wins total
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis movie opened during war with Iraq which made Warner Brothers change the poster art for this movie. Because the original artwork showed Amanda Bynes displaying a peace symbol, the artwork was changed so that the peace symbol was airbrushed out. The studio did not want anyone to think the artwork was a war protest.
- PatzerAll invitations from Queen Elizabeth II are commands, forwarded by the appropriate member of the royal household. As such when the film says 'Her Majesty the Queen invites you to the Annual Garden Party' in reality the invitation would read 'The Lord Chamberlain is commanded by Her Majesty to invite Lord Dashwood and the Honourable Daphne Dashwood to a Garden Party'
- VerbindungenFeatured in WatchMojo: Top 10 Father and Daughter Movies (2014)
- SoundtracksGood Life
Written by Leslie Mills and Chris Pelcer
Performed by Leslie Mills
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Strategic Marketing
Ausgewählte Rezension
I have noticed a genre that might be termed 'late-ish teens princess story' and until now I could not really like the ones that I have on disk.
So, if the genre was widened a bit to include Trachtenberg's Ice Princess then yes, and there will be many okay stories in such a wider genre. I consider the wider genre to be too relevant, best not maimed in this way. The traditional princess story is a very ancient genre and I prefer to link this sub genre to that.
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Then I obtained the two disk set of Mandy Moore's Chasing Liberty (2004) and Amanda Bynes' What A Girl Wants (2003) and this genre was suddenly different. Both of these stories stand tall. True, technically the word Princess does not fit here, but it is close enough, even though Amanda's character is only 39th in line to the throne and Mandy is only a USA style temporary princess?
That is all that I need to know about either story. These are stuff that I can really like.
More. What A Girl Wants breaks with tradition. Amanda is 16 playing a 17. Not a 20 playing an 18 or 15. Not an 18 playing a 15. So unusual.
Director commentary: Real princesses were used as extras at the Henley scene.
Detail to hope to ignore: The last of the scenes set in London. What sort of UK political party would display the flag in this way at a political meeting? This is made for an audience with USA type understandings, not UK? Unless this is a comment re UK politics? In England this is equivalent to Amanda's dad, Lord Dashwood, having been working to be elected to parliament as a member for a UK type K.K.K.? I personally consider UK politics to be askew but that does not feel like the right parallel, though it does hint at too far to the right.
With the possible exception of Hairspray, all the Amanda that I have, so far, end in disaster if I interpret them literally from the cues that I notice. That is likely just me, a private language sort of thing. For me, the most subtle is the ending of She's The Man and that is only a box of Gouda that has me wondering if that magnificent story really ends in disaster. I get that by considering a 1980's horror story called ET. For me, the ultimate Amanda scary ending is Love Wrecked.
So, if the genre was widened a bit to include Trachtenberg's Ice Princess then yes, and there will be many okay stories in such a wider genre. I consider the wider genre to be too relevant, best not maimed in this way. The traditional princess story is a very ancient genre and I prefer to link this sub genre to that.
*
Then I obtained the two disk set of Mandy Moore's Chasing Liberty (2004) and Amanda Bynes' What A Girl Wants (2003) and this genre was suddenly different. Both of these stories stand tall. True, technically the word Princess does not fit here, but it is close enough, even though Amanda's character is only 39th in line to the throne and Mandy is only a USA style temporary princess?
That is all that I need to know about either story. These are stuff that I can really like.
More. What A Girl Wants breaks with tradition. Amanda is 16 playing a 17. Not a 20 playing an 18 or 15. Not an 18 playing a 15. So unusual.
Director commentary: Real princesses were used as extras at the Henley scene.
Detail to hope to ignore: The last of the scenes set in London. What sort of UK political party would display the flag in this way at a political meeting? This is made for an audience with USA type understandings, not UK? Unless this is a comment re UK politics? In England this is equivalent to Amanda's dad, Lord Dashwood, having been working to be elected to parliament as a member for a UK type K.K.K.? I personally consider UK politics to be askew but that does not feel like the right parallel, though it does hint at too far to the right.
With the possible exception of Hairspray, all the Amanda that I have, so far, end in disaster if I interpret them literally from the cues that I notice. That is likely just me, a private language sort of thing. For me, the most subtle is the ending of She's The Man and that is only a box of Gouda that has me wondering if that magnificent story really ends in disaster. I get that by considering a 1980's horror story called ET. For me, the ultimate Amanda scary ending is Love Wrecked.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Lo que una chica quiere
- Drehorte
- West Wycombe Park, West Wycombe, Buckinghamshire, England, Vereinigtes Königreich(Dashwood Manor/ wedding scenes/Ian and Daphne on lake)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.105.433 $
- Eröffnungswochenende in den USA und in Kanada
- 11.434.964 $
- 6. Apr. 2003
- Weltweiter Bruttoertrag
- 50.732.139 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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